000			03841nam a22005175i 4500
001			210359
003			IT-RoAPU
005			20231211163529.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			231201t20142014onc fo d z eng d
020			_a9781442648814 _qprint
020			_a9781442617735 _qPDF
024	7		_a10.3138/9781442617735 _2doi
035			_a(DE-B1597)9781442617735
035			_a(DE-B1597)496905
035			_a(OCoLC)1046613855
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aHQ1453 _b.M674 2014eb
072		7	_aART000000 _2bisacsh
082	0	4	_a305.40971 _223
084			_aonline - DeGruyter
100	1		_aMorra, Linda M. _eautore
245	1	0	_aUnarrested Archives : _bCase Studies in Twentieth-Century Canadian Women's Authorship / _cLinda M. Morra.
264		1	_aToronto : _bUniversity of Toronto Press, _c[2014]
264		4	_c©2014
300			_a1 online resource (256 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _t1. The Archive of Embodiment: Pauline Johnson’s “A Cry from an Indian Wife” -- _t2. Her “Eye” Was Her “I”: Emily Carr, Autobiography, and the Archive of Kinship -- _t3. “It’s What You [Don’t] Say”: Sheila Watson, the Imminent Narrative, and the Archive of Displacement -- _t4. Jane Rule and the Archive of Activism: Negotiating Imaginative – and Literal – Space for a Nation -- _t5. The “Minor” Archive: M. NourbeSe Philip and Mediations of Race and Gender in Canada -- _tConclusion -- _tNotes -- _tWorks Cited -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aCalling upon the archives of Canadian writers E. Pauline Johnson (1861–1913), Emily Carr (1871–1945), Sheila Watson (1909–1998), Jane Rule (1931–2007), and M. NourbeSe Philip (1947– ), Linda M. Morra explores the ways in which women’s archives have been uniquely conceptualized in scholarly discourses and shaped by socio-political forces. She also provides a framework for understanding the creative interventions these women staged to protect their records. Through these case studies, Morra traces the influence of institutions such as national archives and libraries, and regulatory bodies such as border service agencies on the creation, presentation, and preservation of women's archival collections.The deliberate selection of the five literary case studies allows Morra to examine changing archival practices over time, shifting definitions of nationhood and national literary history, varying treatments of race, gender, and sexual orientation, and the ways in which these forces affected the writers’ reputations and their archives. Morra also productively reflects on Jacques Derrida’s Archive Fever and postmodern feminist scholarship related to the relationship between writing, authority, and identity to showcase the ways in which female writers in Canada have represented themselves and their careers in the public record.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)
650		0	_aArchives _xSocial aspects _zCanada _vCase studies.
650		0	_aWomen _zCanada _vArchives _vCase studies.
650		7	_aART / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.3138/9781442617735
856	4	0	_uhttps://www.degruyter.com/isbn/9781442617735
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442617735/original
942			_cEB
999			_c210359 _d210359