000			03767nam a22006375i 4500
001			210381
003			IT-RoAPU
005			20231211163531.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			231201t20142014onc fo d z eng d
019			_a(OCoLC)1013946392
019			_a(OCoLC)979595923
020			_a9781442649224 _qprint
020			_a9781442619753 _qPDF
024	7		_a10.3138/9781442619753 _2doi
035			_a(DE-B1597)9781442619753
035			_a(DE-B1597)465482
035			_a(OCoLC)894510282
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT004200 _2bisacsh
082	0	4	_a853/.7093521 _223
084			_aonline - DeGruyter
100	1		_aValisa, Silvia _eautore
245	1	0	_aGender, Narrative, and Dissonance in the Modern Italian Novel / _cSilvia Valisa.
264		1	_aToronto : _bUniversity of Toronto Press, _c[2014]
264		4	_c©2014
300			_a1 online resource (248 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aToronto Italian Studies
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _t1. “A Somewhat Unusual Nun”: Writing Gender in I promessi sposi -- _t2. The Epistemology of the Young Woman: Analysis and Revelation in Three Fin-de-siècle Novels -- _t3. The Mule and the Ghost: Gender, Realism, and the Fantastic in Giovanni Verga and Marchesa Colombi -- _t4. Intellectual Experiments: The Philosopher and the Housewife -- _t5. A Poetics of Rejection: Elsa Morante and the Gender of the Real -- _tConclusion -- _tNotes -- _tWorks Cited -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aCombining close textual readings with a broad theoretical perspective, Gender, Narrative, and Dissonance in the Modern Italian Novel is a study of the ways in which gender shapes the principal characters and narratives of seven important Italian novels of the nineteenth and twentieth centuries, from Alessandro Manzoni’s I promessi sposi (1827) to Elsa Morante’s Aracoeli (1982).Silvia Valisa’s innovative approach focuses on the tensions between the characters and the gender ideologies that surround them, and the ways in which this dissonance exposes the ideological and epistemological structures of the modern novel. A provocative account of the intersection between gender, narrative, and epistemology that draws on the work of Georg Lukács, Barbara Spackman, and Teresa de Lauretis, this volume offers an intriguing new approach to investigating the nature of fiction.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)
650		0	_aCharacters and characteristics in literature.
650		0	_aItalian fiction _xHistory and criticism _x19th century.
650		0	_aItalian fiction _xHistory and criticism _x20th century.
650		0	_aItalian fiction _y19th century _xHistory and criticism.
650		0	_aItalian fiction _y20th century _xHistory and criticism.
650		0	_aWomen in literature.
650		4	_aGender.
650		4	_aModerne italienische Literatur.
650		7	_aLITERARY CRITICISM / European / Italian. _2bisacsh
653			_aGender Studies.
653			_aModern Italian Literature.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.3138/9781442619753
856	4	0	_uhttps://www.degruyter.com/isbn/9781442619753
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442619753/original
942			_cEB
999			_c210381 _d210381