000			03443nam a2200505Ia 4500
001			210410
003			IT-RoAPU
005			20231211163533.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			231101t20062006onc fo d z eng d
019			_a(OCoLC)999355064
020			_a9781442657649 _qprint
020			_a9781442620858 _qPDF
024	7		_a10.3138/9781442620858 _2doi
035			_a(DE-B1597)9781442620858
035			_a(DE-B1597)465506
035			_a(OCoLC)944178961
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN75.F7 _bA2 1996eb vol. 20
072		7	_aLCO006000 _2bisacsh
082	0	4	_a820.9/003 _222
084			_aonline - DeGruyter
245	0	0	_aNorthrop Frye's Notebooks on Renaissance Literature / _ced. by Michael Dolzani.
264		1	_aToronto : _bUniversity of Toronto Press, _c[2006]
264		4	_c©2006
300			_a1 online resource (554 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aCollected Works of Northrop Frye ; _v20
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aAlthough Northrop Frye's first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye's meditations on the Renaissance are particularly valuable. This volume collects six of Frye's notebooks and five sets of his typed notes on subjects related to Renaissance literature. Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose. The organization of this volume reflects 'a comprehensive study of Renaissance Symbolism' in three volumes, which Frye proposed to the Guggenheim Foundation in 1949. Frye received a Guggenheim fellowship, but never wrote the book; nevertheless, his application, part of which is also included here, is an important document. The Guggenheim application not only reveals the outlines of Frye's thinking about literature, it also uncovers his plans for his future creative life during the crucial period between his completion of Fearful Symmetry and his absorption in the writing of Anatomy of Criticism. In addition to providing insight into Frye's thinking process, the material collected into this key volume in the Collected Works is of particular importance because much of it has no direct counterpart in any of Frye's other published works.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
650		0	_aEnglish literature _yEarly modern, 1500-1700 _xHistory and criticism.
650		7	_aLITERARY COLLECTIONS / Canadian. _2bisacsh
700	1		_aDolzani, Michael _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://www.degruyter.com/isbn/9781442620858
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442620858/original
942			_cEB
999			_c210410 _d210410