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001			210480
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008			231101t20012001onc fo d z eng d
020			_a9780802083548 _qprint
020			_a9781442623101 _qPDF
024	7		_a10.3138/9781442623101 _2doi
035			_a(DE-B1597)9781442623101
035			_a(DE-B1597)479188
035			_a(OCoLC)979836639
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aN6465.P74A57 2000
072		7	_aART015100 _2bisacsh
082	0	4	_a709.034
084			_aonline - DeGruyter
245	0	0	_aAntimodernism and Artistic Experience : _bPolicing the Boundaries of Modernity / _ced. by Lynda Lee Jessup.
264		1	_aToronto : _bUniversity of Toronto Press, _c[2001]
264		4	_c©2001
300			_a1 online resource (306 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aHeritage
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aAntimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, history, and feminist media studies explore antimodernism as an artistic response to a perceived sense of loss - in particular, the loss of 'authentic' experience.Embracing the 'authentic' as a redemptive antidote to the threat of unheralded economic and social change, antimodernism sought out experience supposedly embodied in pre-industrialized societies - in medieval communities or 'oriental cultures,' in the Primitive, the Traditional, or Folk. In describing the ways in which modern artists used antimodern constructs in formulating their work, the contributors examine the involvement of artists and intellectuals in the reproduction and diffusion of these concepts. In doing so they reveal the interrelation of fine art, decorative art, souvenir or tourist art, and craft, questioning the ways in which these categories of artistic expression reformulate and naturalise social relations in the field of cultural production.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
650		0	_aArt, Canadian _y20th century.
650		0	_aArt, Modern _y19th century.
650		0	_aArt, Modern _y20th century.
650		0	_aModernism (Art) _zCanada.
650		0	_aModernism (Art).
650		0	_aPrimitivism in art _zCanada.
650		0	_aPrimitivism in art.
650		7	_aART / History / Modern (late 19th Century to 1945). _2bisacsh
700	1		_aJessup, Lynda Lee _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://www.degruyter.com/isbn/9781442623101
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442623101/original
942			_cEB
999			_c210480 _d210480