000 03051nam a2200529Ia 4500
001 210629
003 IT-RoAPU
005 20231211163546.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 231101t20072007onc fo d z eng d
019 _a(OCoLC)1013948943
020 _a9780802090140
_qprint
020 _a9781442628199
_qPDF
024 7 _a10.3138/9781442628199
_2doi
035 _a(DE-B1597)9781442628199
035 _a(DE-B1597)465557
035 _a(OCoLC)946712718
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPQ231
072 7 _aMUS000000
_2bisacsh
082 0 4 _a780/.08
084 _aonline - DeGruyter
100 1 _aZecher, Carla
_eautore
245 1 0 _aSounding Objects :
_bMusical Instruments, Poetry, and Art in Renaissance France /
_cCarla Zecher.
264 1 _aToronto :
_bUniversity of Toronto Press,
_c[2007]
264 4 _c©2007
300 _a1 online resource (255 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aHeritage
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aOften abstracted by the aesthetic implications of music itself, musical instruments can be seen as physical signifiers apart from the music that they produce. In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical characteristics and acoustic properties, as well as from their aesthetic product.Sounding Objects is concerned with ways in which musical culture provided poets with a rich, nuanced vocabulary for reflecting on their own art and its roles in courtly life, the civic arena, and salon society. Poets not only depicted the world of musical practice but also appropriated it, using musical instruments figuratively to establish their literary identities. Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this unique study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture. Disclaimer: Images removed at the request of the rights holder.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
650 0 _aFrench literature
_y16th century
_xHistory and criticism.
650 0 _aMusic and literature.
650 0 _aMusical instruments in art.
650 7 _aMUSIC / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://www.degruyter.com/isbn/9781442628199
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781442628199/original
942 _cEB
999 _c210629
_d210629