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001			211265
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008			231201t20142014onc fo d z eng d
020			_a9781442646407 _qprint
020			_a9781442665613 _qPDF
024	7		_a10.3138/9781442665613 _2doi
035			_a(DE-B1597)9781442665613
035			_a(DE-B1597)497132
035			_a(OCoLC)1046610854
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLAN004000 _2bisacsh
082	0	4	_a346.7104/82 _223
084			_aonline - DeGruyter
100	1		_aCoombe, Rosemary _eautore
245	1	0	_aDynamic Fair Dealing : _bCreating Canadian Culture Online / _cDarren Wershler, Rosemary Coombe, Martin Zeilinger.
264		1	_aToronto : _bUniversity of Toronto Press, _c[2014]
264		4	_c©2014
300			_a1 online resource (456 p.) : _b2 figures
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tIntroducing Dynamic Fair Dealing: Creating Canadian Digital Culture -- _tPART A. The Canadian Copyright Context -- _tI Provocations: Fair Dealing as Right, Speech, Duty, and Practice -- _t1 Copyright and Freedom of Expression: Fair Dealing between Work and Play -- _t2 From the Right to Copy to Practices of Copying -- _tII Recognizing the Canadian Public Domain -- _t3 The Canadian Public Domain: What, Where, and to What End? -- _t4 Dynamic Fair Dealing with Orphan Works: Lessons from “Real” Property -- _t5 Publicly Funded, Then Locked Away: The Work of the Canadian Broadcasting Corporation -- _tIII Infrastructures for Fair Dealing -- _t6 Resisting Enclosure: Licences, Authorship, and the Commons -- _t7 Weaving an Open Web: Innovation and Ethics in the Virtual Commons -- _t8 “This Content Is Not Available in Your Region”: Geoblocking Culture in Canada -- _t9 Net Neutrality and the Threat to Open Cultural Expression -- _tIV Experiments in Pedagogy and Diversity -- _t10 Copyright and Access to Media for People with Perceptual Disabilities -- _t11 If You’re Asking, It’s Not Fair Dealing: Animating Canadian Copyright Issues in a “Read-Write” Classroom -- _t12 Hacking Education: How Openness and Sharing Can Transform Learning -- _tPART B. Mediations -- _tI Digital Publishing -- _t13 Open Access Publishing and Academic Research -- _t14 Open Access Mandates and the Fair Dealing Button -- _tII Principles and Practices of Heritage Management -- _t15 The Evolution of Cultural Heritage Ethics via Human Rights Norms -- _t16 Indigenous Cultural Heritage in the Age of Technological Reproducibility: Towards a Postcolonial Ethic of the Public Domain -- _t17 Cultural Diversity: A Central Dimension of Canadian Cultural Heritage? -- _tIII The Work of Poetics -- _t18 Parodists’ Rights and Copyright in a Digital Canada -- _t19 Robin Hood of the Avant-Garde -- _t20 Remixing bpNichol: Direct Dealing and Recombinatory Art Practices -- _tPART C. Making Our Digital Heritage a Dynamic One -- _tI Documenting Pasts and Assessing Virtual Futures -- _t21 Copyright Dramas: Theatre Archives and Collections Online -- _t22 Streaming a Digital Scream: Archiving Toronto’s Barbaric Yawp -- _t23 The NFB, Canada’s Experimental Documentary Tradition, and Found Futures -- _tII Recombinant Creativity -- _t24 Chipmusic, Out of Tune: Crystal Castles and the Misappropriation of Creative Commons–Licensed Music -- _t25 “My Real’ll Make Yours a Rental”: Hip Hop and Canadian Copyright -- _t26 Friction over Fan Fiction -- _t27 Child-Generated Content: Children’s Authorship and Interpretive Practices in Digital Gaming Cultures -- _tAFTERWORD: Reflections -- _tDeal with It -- _tPull Up the Stakes and Fill in the Ditches -- _tReferences -- _tAcknowledgments -- _tContributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aDynamic Fair Dealing argues that only a dynamic, flexible, and equitable approach to cultural ownership can accommodate the astonishing range of ways that we create, circulate, manage, attribute, and make use of digital cultural objects.The Canadian legal tradition strives to balance the rights of copyright holders with public needs to engage with copyright protected material, but there is now a substantial gap between what people actually do with cultural forms and how the law understands those practices. Digital technologies continue to shape new forms of cultural production, circulation, and distribution that challenge both the practicality and the desirability of Canada's fair dealing provisions.Dynamic Fair Dealing presents a range of insightful and provocative essays that rethink our relationship to Canadian fair dealing policy. With contributions from scholars, activists, and artists from across disciplines, professions, and creative practices, this book explores the extent to which copyright has expanded into every facet of society and reveals how our capacities to actually deal fairly with cultural goods has suffered in the process. In order to drive conversations about the cultural worlds Canadians imagine, and the policy reforms we need to realize these visions, we need Dynamic Fair Dealing.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)
650		0	_aCopyright and electronic data processing _zCanada.
650		0	_aCopyright _zCanada.
650		0	_aElectronic information resources _xFair use (Copyright) _zCanada.
650		7	_aLANGUAGE ARTS & DISCIPLINES / Communication Studies. _2bisacsh
700	1		_aWershler, Darren _eautore
700	1		_aZeilinger, Martin _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.3138/9781442665613
856	4	0	_uhttps://www.degruyter.com/isbn/9781442665613
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442665613/original
942			_cEB
999			_c211265 _d211265