| 000 | 03706nam a22005175i 4500 | ||
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| 001 | 211398 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211163632.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231201t20142014onc fo d z eng d | ||
| 020 |
_a9781442648135 _qprint |
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| 020 |
_a9781442670013 _qPDF |
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| 024 | 7 |
_a10.3138/9781442670013 _2doi |
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| 035 | _a(DE-B1597)9781442670013 | ||
| 035 | _a(DE-B1597)497190 | ||
| 035 | _a(OCoLC)1046618919 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aART015040 _2bisacsh |
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| 082 | 0 | 4 |
_a796.96209714 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aRansom, Amy _eautore |
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| 245 | 1 | 0 |
_aHockey, PQ : _bCanada's Game in Quebec's Popular Culture / _cAmy Ransom. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[2014] |
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| 264 | 4 | _c©2014 | |
| 300 | _a1 online resource (280 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tPermissions -- _tIntroduction: Hockey as Nationalist Marker in Quebec Film, but Which Nationalism? -- _tChapter One: From Canadiens to Québécois: Maurice Richard as National Hero -- _tChapter Two: “The Nordiques Have Disappeared!” Hockey, Science Fiction, and Nationalist Fantasies in Quebec -- _tChapter Three: Plus ça change…: The Hockey-Themed Television Series Lance et compte as a Reflection of Quebec Society -- _tChapter Four: Real Men Play Hockey: Sport, Masculinity, and National Identity in the Les Boys Films -- _tChapter Five: Rock and Roll, Skate and Slide: Hockey Music as an Expression of National Identity in Quebec -- _tConclusion: Hockey Is Quebec -- _tNotes -- _tWorks Cited -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aA wide-ranging study that examines everything from the blockbuster movie franchise Les Boys to the sovereigntist hip hop group Loco Locass, Hockey, PQ explores how Canada’s national sport has been used to signify a specific Québécois identity. Amy J. Ransom analyzes how Québécois writers, filmmakers, and musicians have appropriated symbols like the Montreal Forum, Maurice Richard, or the 1972 Summit Series to construct or critique images of the Québécois male.Close analyses of hockey-themed narratives consider the soap opera Lance et compte (‘He shoots, he scores’), the music of former pro player Bob Bisonnette, folk band Mes Aïeux, rock group Les Dales Hawerchuk, and the fiction of François Barcelo. Through these examinations of the role hockey plays in contemporary francophone popular culture, Ransom shows how Quebec’s popular culture uses hockey to distinguish French-Canadians from the French and to rally them against their English-speaking counterparts. In the end, however, this study illuminates how the sport of hockey unites the two solitudes. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023) | |
| 650 | 0 |
_aHockey _xSocial aspects _zQuébec (Province). |
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| 650 | 0 |
_aNationalism and sports _zQuébec (Province). |
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| 650 | 0 |
_aSports in popular culture _zQuébec (Province). |
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| 650 | 7 |
_aART / Canadian. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.3138/9781442670013 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781442670013 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442670013/original |
| 942 | _cEB | ||
| 999 |
_c211398 _d211398 |
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