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| 001 | 211476 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211163637.0 | ||
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| 008 | 231101t20032003onc fo d z eng d | ||
| 019 | _a(OCoLC)1002243422 | ||
| 019 | _a(OCoLC)1004878421 | ||
| 019 | _a(OCoLC)1011446805 | ||
| 019 | _a(OCoLC)944178525 | ||
| 019 | _a(OCoLC)999354708 | ||
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_a9780802088147 _qprint |
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_a9781442670976 _qPDF |
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_a10.3138/9781442670976 _2doi |
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| 035 | _a(DE-B1597)9781442670976 | ||
| 035 | _a(DE-B1597)464186 | ||
| 035 | _a(OCoLC)244768148 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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_aLIT004200 _2bisacsh |
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| 082 | 0 | 4 | _a858/.309 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aWaddington, Raymond _eautore |
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| 245 | 1 | 0 |
_aAretino's Satyr : _bSexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art / _cRaymond Waddington. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[2003] |
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| 264 | 4 | _c©2003 | |
| 300 | _a1 online resource (320 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aToronto Italian Studies | |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aPietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona ? a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts.In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period.Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 7 |
_aLITERARY CRITICISM / European / Italian. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781442670976 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442670976/original |
| 942 | _cEB | ||
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_c211476 _d211476 |
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