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| 001 | 211481 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211163637.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 231101t20022002onc fo d z eng d | ||
| 019 | _a(OCoLC)1013949071 | ||
| 020 |
_a9780802009227 _qprint |
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| 020 |
_a9781442671027 _qPDF |
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| 024 | 7 |
_a10.3138/9781442671027 _2doi |
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| 035 | _a(DE-B1597)9781442671027 | ||
| 035 | _a(DE-B1597)464189 | ||
| 035 | _a(OCoLC)944178467 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aND586.H35 | |
| 072 | 7 |
_aHIS014000 _2bisacsh |
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| 082 | 0 | 4 | _a759.3/515 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aKay, Carolyn _eautore |
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| 245 | 1 | 0 |
_aArt and the German Bourgeoisie : _bAlfred Lichtwark and Modern Painting in Hamburg, 1886-1914 / _cCarolyn Kay. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[2002] |
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| 264 | 4 | _c©2002 | |
| 300 | _a1 online resource (184 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aIn this new study of art in fin-de-siècle Hamburg, Carolyn Kay examines the career of the city's art gallery director, Alfred Lichtwark, one of Imperial Germany's most influential museum directors and a renowned cultural critic. A champion of modern art, Lichtwark stirred controversy among the city's bourgeoisie by commissioning contemporary German paintings for the Kunsthalle by secession artists and supporting the formation of an independent art movement in Hamburg influenced by French impressionism. Drawing on an extensive amount of archival research, and combining both historical and art historical approaches, Kay examines Lichtwark's cultural politics, their effect on the Hamburg bourgeoisie, and the subsequent changes to the cultural scene in Hamburg.Kay focuses her study on two modern art scandals in Hamburg and shows that Lichtwark faced strong public resistance in the 1890s, winning significant support from the city's bourgeoisie only after 1900. Lichtwark's struggle to gain acceptance for impressionism highlights conflicts within the city's middle class as to what constituted acceptable styles and subjects of German art, with opposition groups demanding a traditional and 'pure' German culture. The author also considers who within the Hamburg bourgeoisie supported Lichtwark, and why. Kay's local study of the debate over cultural modernism in Imperial Germany makes a significant contribution both to the study of modernism and to the history of German culture. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 |
_aArt and society _zGermany _zHamburg _xHistory. |
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| 650 | 0 |
_aPainting, German _zGermany _zHamburg _y19th century. |
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| 650 | 0 |
_aPainting, German _zGermany _zHamburg _y20th century. |
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| 650 | 7 |
_aHISTORY / Europe / Germany. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781442671027 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442671027/original |
| 942 | _cEB | ||
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_c211481 _d211481 |
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