000			03360nam a2200541Ia 4500
001			212034
003			IT-RoAPU
005			20231211163711.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			231101t20062005onc fo d z eng d
019			_a(OCoLC)1013966979
020			_a9780802038425 _qprint
020			_a9781442677524 _qPDF
024	7		_a10.3138/9781442677524 _2doi
035			_a(DE-B1597)9781442677524
035			_a(DE-B1597)464676
035			_a(OCoLC)946712704
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aML1727.3 _b.C966 2005eb
072		7	_aLIT004150 _2bisacsh
082	0	4	_a842/.5 _222
084			_aonline - DeGruyter
100	1		_aCuille, Tili Boon _eautore
245	1	0	_aNarrative Interludes : _bMusical Tableaux in Eighteenth-Century French Texts / _cTili Boon Cuille.
264		1	_aToronto : _bUniversity of Toronto Press, _c[2006]
264		4	_c©2005
300			_a1 online resource (320 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aUniversity of Toronto Romance Series
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFrench authors in the eighteenth century traditionally used music to enhance literary love scenes. Jean-Jacques Rousseau considerably expanded contemporary notions of music?s expressive power, yet distinguished between the capacity of different nations and sexes to wield it. Rousseau?s controversial statements led his readers to interrogate the relationship between music, meaning, and morality. They depicted their resistance to his claims in musical tableaux, or musical performances staged for a beholder inscribed within the text. Tili Boon Cuillé?s Narrative Interludes chronicles the emergence of the musical tableau in French literature.Spanning the latter half of the eighteenth century, Cuillé brings the cultural discourse on music and musicians to bear on the works of Diderot, Cazotte, Beaumarchais, Charrière, Cottin, Krüdener, and Staël. She turns attention from the representation of music to its moral repercussions, from aesthetic innovation to social resistance, and from national to gender politics. Juxtaposing pre-eminent and popular writers, Cuillé reads their fictional works in light of their treatises on art and society, exploring the significance of musical tableaux that have previously fallen outside the scope of literary analysis but that revolutionized the form and function of music in the text.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
650		0	_aAesthetics, French _y18th century.
650		0	_aArt and literature _zFrance _xHistory _y18th century.
650		0	_aFrench literature _y18th century _xHistory and criticism.
650		0	_aOpera _zFrance _xHistory and criticism.
650		7	_aLITERARY CRITICISM / European / French. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://www.degruyter.com/isbn/9781442677524
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442677524/original
942			_cEB
999			_c212034 _d212034