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019 _a(OCoLC)1013954406
020 _a9780802058386
_qprint
020 _a9781442677531
_qPDF
024 7 _a10.3138/9781442677531
_2doi
035 _a(DE-B1597)9781442677531
035 _a(DE-B1597)464675
035 _a(OCoLC)944177928
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN3383.P64
_bC48 1990
072 7 _aLIT006000
_2bisacsh
082 0 4 _a808.3
_220
084 _aonline - DeGruyter
100 1 _aChamberlain, Daniel
_eautore
245 1 0 _aNarrative Perspective in Fiction :
_bA Phenomenological Meditation of Reader, Text, and World /
_cDaniel Chamberlain.
264 1 _aToronto :
_bUniversity of Toronto Press,
_c[1990]
264 4 _c©1990
300 _a1 online resource (272 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aDaniel Chamberlain examines the nature of narrative perspective in a manner that does not presuppose a passive definition of perception. Rather, he considers perspective as a medium through which the potential meanings of texts are disclosed and through which to share the vital experience of narrative from today's familiar and culturally distant worlds.The book is divided into two parts. The first part address narrative perspective within a theoretical framework. Chamberlain uses this in order to consider narrative perspective as an integral part of the more general process of perception that mediates language and the experience of texts. Perception is here understood as an active recreation of the world at every moment; as an opening through which one's self-awareness and awareness of the world are correlated. By considering narrative perspective in terms of perception, equal importance is given to its temporal and spatial aspects. The dialectic of time and space inevitably comes to bear on narrative perspective through the techniques, strategies, and medium of a text's transmission. Part one concludes with an examination of contemporary definitions of narrative perspective and with the presentation of an alternative approach to its study.The second part offers a reading of two texts, each of which clearly presents the major issues facing this inquiry. The narrative perspective of each is considered as occupying a degree of similarity and difference within the dialectic of time and space. Each perspective is, in turn, correlated to the prevalent medium of discourse within its cultural milieu.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
650 0 _aFiction
_xHistory and criticism.
650 0 _aNarration (Rhetoric).
650 0 _aPhenomenology and literature.
650 0 _aPoint of view (Literature).
650 7 _aLITERARY CRITICISM / Semiotics & Theory.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://www.degruyter.com/isbn/9781442677531
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781442677531/original
942 _cEB
999 _c212035
_d212035