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| 001 | 212287 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211163726.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 231101t19911991onc fo d z eng d | ||
| 019 | _a(OCoLC)1013966981 | ||
| 020 |
_a9780802059475 _qprint |
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| 020 |
_a9781442680241 _qPDF |
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| 024 | 7 |
_a10.3138/9781442680241 _2doi |
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| 035 | _a(DE-B1597)9781442680241 | ||
| 035 | _a(DE-B1597)464900 | ||
| 035 | _a(OCoLC)944177535 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPQ6373 _b.B87 1991eb |
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| 072 | 7 |
_aLIT004250 _2bisacsh |
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| 082 | 0 | 4 | _a861/.1 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBurke, James F. _eautore |
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| 245 | 1 | 0 |
_aStructures From the Trivium in the Canta / _cJames F. Burke. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[1991] |
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| 264 | 4 | _c©1991 | |
| 300 | _a1 online resource (239 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThe medieval poem Cantar de Mio Cid is one of the great works of Spanish literature. Its precise date is uncertain, and its author has never been identified. Some scholars believe that it was written by many authors who, over time, adapted earlier material. In this study James Burke considers the authorship of the poem as revealed in key structural components. Placing the Cantar de Mio Cid more in the emerging culture of writing than in the sphere of oral poetry, Burke maintains that the text was produced in a manner typical for the Middle Ages by a writer who followed procedures very specific to the period.Medieval writers were invariably educated in the basic subjects of the trivium: grammatica, rhetorica, and dialectica, taught in the 'middle schools' of the twelfth century. In the process they acquired techniques that enabled them to rewrite pre-existing materials of an authoritative character, emphasizing themes and ideas important for contemporaries.Burke argues that someone rewrote epic material having to do with the Cid in this way. Referring to a device described by the twelfth-century Spanish philosopher Dominicus Gundissalinus as 'the imaginative, poetic syllogism,' Burke identifies three instances of the device in the Cantar de Mio Cid. They support themes and motifs of awakening, manifestation, and revelation, and of the hero as exemplar.This volume sheds new light on a central work in Spanish literature and on medieval poetry in general. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 |
_aLiterature, Medieval _xThemes, motives. |
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| 650 | 0 |
_aPoetics _xHistory _yTo 1500. |
|
| 650 | 7 |
_aLITERARY CRITICISM / European / Scandinavian. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781442680241 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442680241/original |
| 942 | _cEB | ||
| 999 |
_c212287 _d212287 |
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