| 000 | 03163nam a2200541Ia 4500 | ||
|---|---|---|---|
| 001 | 212456 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211163736.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231101t20042004onc fo d z eng d | ||
| 019 | _a(OCoLC)1013963444 | ||
| 020 |
_a9780802089151 _qprint |
||
| 020 |
_a9781442682245 _qPDF |
||
| 024 | 7 |
_a10.3138/9781442682245 _2doi |
|
| 035 | _a(DE-B1597)9781442682245 | ||
| 035 | _a(DE-B1597)465028 | ||
| 035 | _a(OCoLC)944177392 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 |
_aPQ4117 _b.C39 2004eb |
|
| 072 | 7 |
_aLIT004200 _2bisacsh |
|
| 082 | 0 | 4 | _a851/.03209 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aCavallo, Jo Ann _eautore |
|
| 245 | 1 | 4 |
_aThe Romance Epics of Boiardo, Ariosto, and Tasso : _bFrom Public Duty to Private Pleasure / _cJo Ann Cavallo. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[2004] |
|
| 264 | 4 | _c©2004 | |
| 300 | _a1 online resource (300 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 | _aToronto Italian Studies | |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aIn The Romance Epics of Boiardo, Ariosto, and Tasso, Jo Ann Cavallo attempts a new interpretation of the history of the renaissance romance epic in northern Italy, focusing on the period's three major chivalric poets. Cavallo challenges previous critical assumptions about the trajectory of the romance genre, especially regarding questions of creative imitation, allegory, ideology, and political engagement.In tracing the development of the romance epic against the historical context of the Ferrarese court and the Italian peninsula, Cavallo moves from a politically engaged Boiardo, whose poem promotes the tenets of humanism, to an individualistic Tasso, who opposed the repressive aspects of the counter-reformation culture he is often thought to represent. Ariosto is read from the vantage of his predecessor Boiardo, and Cavallo describes his cynicism and later mellowing attitude toward the real-world relevance of his and Boiardo's fiction. The Romance Epics of Boiardo, Ariosto, and Tasso is the first critical study to bring together the three poets in a coherent vision that maps changes while uncovering continuities. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 |
_aEpic poetry, Italian _xHistory and criticism. |
|
| 650 | 0 |
_aItalian poetry _y15th century _xHistory and criticism. |
|
| 650 | 0 |
_aItalian poetry _y16th century _xHistory and criticism. |
|
| 650 | 0 |
_aRomances, Italian _xHistory and criticism. |
|
| 650 | 7 |
_aLITERARY CRITICISM / European / Italian. _2bisacsh |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781442682245 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442682245/original |
| 942 | _cEB | ||
| 999 |
_c212456 _d212456 |
||