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| 008 | 231101t20062006onc fo d z eng d | ||
| 019 | _a(OCoLC)1013963446 | ||
| 020 |
_a9780802093882 _qprint |
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_a9781442683686 _qPDF |
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_a10.3138/9781442683686 _2doi |
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| 035 | _a(DE-B1597)9781442683686 | ||
| 035 | _a(DE-B1597)465136 | ||
| 035 | _a(OCoLC)944177265 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aPN1995.9.L28 _bW67 2006 |
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_aPER004000 _2bisacsh |
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| 082 | 0 | 4 |
_a791.43/652624 _222 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aWorking on Screen : _bRepresentations of the Working Class in Canadian Cinema / _ced. by Malek Khouri, Darrell Varga. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[2006] |
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| 264 | 4 | _c©2006 | |
| 300 | _a1 online resource (320 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aAs themes in film studies literature, work and the working class have long occupied a peripheral place in the evaluation of Canadian cinema, often set aside in the critical literature for the sake of a unifying narrative that assumes a division between Québécois and English Canada's film production, a social-realist documentary aesthetic, and what might be called a 'younger brother' relationship with the United States.In Working on Screen, contributors examine representations of socio-economic class across the spectrum of Canadian film, video, and television, covering a wide range of class-related topics and dealing with them as they intersect with history, political activism, globalization, feminism, queer rights, masculinity, regional marginalization, cinematic realism, and Canadian nationalism.Of concern in this collection are the daily lives and struggles of working people and the ways in which the representation of the experience of class in film fosters or marginalizes a progressive engagement with history, politics, and societies around the world. Working on Screen thus expands the scholarly debates on the concept of national cinema and builds on the rich, formative efforts of Canadian cultural criticism that held dear the need for cultural autonomy. Contributors:Bart BeatyScott ForsythMargot Francis David FrankMalek KhouriJoseph Kispal-KovacsAndre LoiselleBrenda LongfellowSusan LordJohn McCulloughRebecca SullivanPeter Urquhart Darrell VargaThomas Waugh | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 |
_aMotion pictures _zCanada. |
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| 650 | 0 | _aWorking class in motion pictures. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General. _2bisacsh |
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| 700 | 1 |
_aKhouri, Malek _ecuratore |
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| 700 | 1 |
_aVarga, Darrell _ecuratore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781442683686 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442683686/original |
| 942 | _cEB | ||
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_c212583 _d212583 |
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