000			03255nam a2200541Ia 4500
001			212706
003			IT-RoAPU
005			20231211163751.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			231101t20072007onc fo d z eng d
019			_a(OCoLC)1013955335
019			_a(OCoLC)1154288995
020			_a9780802092465 _qprint
020			_a9781442685000 _qPDF
024	7		_a10.3138/9781442685000 _2doi
035			_a(DE-B1597)9781442685000
035			_a(DE-B1597)464087
035			_a(OCoLC)944176906
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aKKT1186 _b.S87 2007eb
072		7	_aDRA004000 _2bisacsh
082	0	4	_a346.4604/8209034 _222
084			_aonline - DeGruyter
100	1		_aSurwillo, Lisa _eautore
245	1	4	_aThe Stages of Property : _bCopyrighting Theatre in Spain / _cLisa Surwillo.
264		1	_aToronto : _bUniversity of Toronto Press, _c[2007]
264		4	_c©2007
300			_a1 online resource (240 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aStudies in Book and Print Culture
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. Lisa Surwillo discusses the ways in which notions of intellectual property transformed Spain?s theatre ? its agents, performance practices, and reception ? over a period of fifty years, from 1830 to 1880. For three centuries, theatre had been the cultural arm of the monarchy. After the institution of copyright, however, it became the backbone of a new cultural industry controlled by a handful of publishers. In this atmosphere of private ownership, ideas of intellectual property and author?s rights assumed a much greater immediacy than they had previously. The impact on theatrical practices was significant, resulting in the development of a homogenized national culture of shared theatre and reading experiences.Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
650		0	_aCopyright _xDrama _zSpain _xHistory _y19th century.
650		0	_aIntellectual property _zSpain _xHistory _y19th century.
650		0	_aTheater _xLaw and legislation _zSpain _xHistory _y19th century.
650		7	_aDRAMA / European / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://www.degruyter.com/isbn/9781442685000
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442685000/original
942			_cEB
999			_c212706 _d212706