| 000 | 03185nam a2200469Ia 4500 | ||
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| 001 | 212968 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211163807.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231101t20082008onc fo d z eng d | ||
| 020 |
_a9781442616080 _qprint |
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| 020 |
_a9781442688698 _qPDF |
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| 024 | 7 |
_a10.3138/9781442688698 _2doi |
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| 035 | _a(DE-B1597)9781442688698 | ||
| 035 | _a(DE-B1597)497015 | ||
| 035 | _a(OCoLC)1083604436 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aDES001000 _2bisacsh |
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| 082 | 0 | 4 | _a302.232094409034 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aSilverman, Willa Z. _eautore |
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| 245 | 1 | 4 |
_aThe New Bibliopolis : _bFrench Book Collectors and the Culture of Print, 1880-1914 / _cWilla Z. Silverman. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[2008] |
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| 264 | 4 | _c©2008 | |
| 300 | _a1 online resource (336 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aStudies in Book and Print Culture | |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThe late-nineteenth century in Europe was a period of profound political, social, and technological change. One result of these changes was the rise in France of an upper-bourgeois bohemian class. Many of its members stimulated interest in unique forms of artistic expression such as illustrated books. On account of their influence, an atmosphere of intense bibliophilic activity came to define French culture at the turn of the century. The New Bibliopolis explores the role of amateurs in promoting the book arts in France during this period.Drawing on extensive original research, Willa Z. Silverman looks at the ways in which book collectors supported print culture. She shows how, through the admiration demonstrated by collectors for this medium, print came to be a crucial part of popular conceptions of aesthetics. As collectors, publishers, authors, designers, and directors of bibliophile societies, reviews, and small presses, these book lovers became passionate and prolific interlocutors of the printed word in a uniquely artistic epoch. Silverman analyzes subjects as diverse as the relationship between book collecting and aesthetic and cultural currents such as Symbolism; the gendered nature of book collecting; the increased collaboration between authors and illustrators; and the marketing of fine books at international exhibits.The New Bibliopolis is an important contribution to the study of book history, French sociocultural history, and fine and decorative arts. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 7 |
_aDESIGN / Book. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781442688698 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442688698/original |
| 942 | _cEB | ||
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_c212968 _d212968 |
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