000 03562nam a22005175i 4500
001 213115
003 IT-RoAPU
005 20231211163816.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 231201t20112011onc fo d z eng d
020 _a9781442642515
_qprint
020 _a9781442694187
_qPDF
024 7 _a10.3138/9781442694187
_2doi
035 _a(DE-B1597)9781442694187
035 _a(DE-B1597)483008
035 _a(OCoLC)1004879432
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN3491
_b.S35 2011eb
072 7 _aLIT004280
_2bisacsh
082 0 4 _a809.3
_222
084 _aonline - DeGruyter
100 1 _aSchmidt, Rachel
_eautore
245 1 0 _aForms of Modernity :
_bDon Quixote and Modern Theories of the Novel /
_cRachel Schmidt.
264 1 _aToronto :
_bUniversity of Toronto Press,
_c[2011]
264 4 _c©2011
300 _a1 online resource (384 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tPreface --
_tAcknowledgments --
_tAbbreviations for Cited Material --
_tNote on Translations and Quotations --
_t1. Don Quixote and the Problem of Modernity --
_t2. Arabesques and the Modern Novel: Friedrich Schlegel’s Interpretation of Don Quixote --
_t3. The Emptiness of the Arabesque: Georg Lukács’s Theory of the Novel --
_t4. Ideas and Forms:Hermann Cohen’s Novelistics --
_t5. The Poetics of Resuscitation: Unamuno’s Anti-Novelistics --
_t6. Form Foreshortened: Ortega y Gasset’s Meditations on Don Quixote --
_t7. Don Quixote in Bakhtin --
_t8. Revolutions and the Novel --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIt's a critical cliché that Cervantes' Don Quixote is the first modern novel, but this distinction raises two fundamental questions. First, how does one define a novel? And second, what is the relationship between this genre and understandings of modernity? In Forms of Modernity, Rachel Schmidt examines how seminal theorists and philosophers have wrestled with the status of Cervantes' masterpiece as an 'exemplary novel', in turn contributing to the emergence of key concepts within genre theory.Schmidt's discussion covers the views of well-known thinkers such as Friedrich Schlegel, José Ortega y Gasset, and Mikhail Bakhtin, but also the pivotal contributions of philosophers such as Hermann Cohen and Miguel de Unamuno. These theorists' examinations of Cervantes's fictional knight errant character point to an ever-shifting boundary between the real and the virtual. Drawing from both intellectual and literary history, Forms of Modernity richly explores the development of the categories and theories that we use today to analyze and understand novels.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)
650 0 _aFiction
_xHistory and criticism.
650 4 _aDISCOUNT-B.
650 7 _aLITERARY CRITICISM / European / Spanish & Portuguese.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.3138/9781442694187
856 4 0 _uhttps://www.degruyter.com/isbn/9781442694187
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781442694187/original
942 _cEB
999 _c213115
_d213115