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020 _a9781442612051
_qprint
020 _a9781442696280
_qPDF
024 7 _a10.3138/9781442696280
_2doi
035 _a(DE-B1597)9781442696280
035 _a(DE-B1597)483054
035 _a(OCoLC)1004882585
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004000
_2bisacsh
082 0 4 _a791.43
_223
084 _aonline - DeGruyter
100 1 _aMaron, Jeremy
_eautore
245 1 0 _aStages of Reality :
_bTheatricality in Cinema /
_cAndré Loiselle, Jeremy Maron.
264 1 _aToronto :
_bUniversity of Toronto Press,
_c[2011]
264 4 _c©2011
300 _a1 online resource (240 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_tPart One. Traces of Theatricality: Stage-to-Screen Adaptations --
_t1. Self-Adaptation: Queer Theatricality in Brad Fraser’s Leaving Metropolis and Robert Lepage’s La face cachée de la lune --
_t2. Brechtian Television: Theatricality and Adaptation of the Stage Play --
_tPart Two. Cinematic Theatricality, Genre, and Gender --
_t3. Cinéma du Grand Guignol : Theatricality in the Horror Film --
_t4. ‘I’ll Show Them!’ Creating Legal Spectacles in Revenge Cinema --
_t5. The Ethics of Murder: Trial as Performance in the Maternal Melodrama --
_t6. Theatricality in the Cleopatra Films: Women (or We Men?) of Power --
_tPart Three. The Politics of Cinematic Theatricality --
_t7. Committed Theatricality --
_t8. Theatrical Games and the Gift of a Fable: Performance vs. Reality in Roberto Benigni’s Life Is Beautiful --
_tPart Four. Performance, Voice, Movement, and the Theatricality of Cinema --
_t9. Playing to the Balcony: Screen Acting, Distance, and Cavellian Theatricality --
_t10. Bullet-Time, Becoming, and the Sway of Theatricality: Performance and Play in The Matrix --
_tSelected Bibliography --
_tContributors
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aA groundbreaking collection of original essays, Stages of Reality establishes a new paradigm for understanding the relationship between stage and screen media. This comprehensive volume explores the significance of theatricality within critical discourse about cinema and television.Stages of Reality connects the theory and practice of cinematic theatricality through conceptual analyses and close readings of films including The Matrix and There Will be Blood. Contributors illuminate how this mode of address disrupts expectations surrounding cinematic form and content, evaluating strategies such as ostentatious performances, formal stagings, fragmentary montages, and methods of dialogue delivery and movement. Detailing connections between cinematic artifice and topics such as politics, gender, and genre, Stages of Reality allows readers to develop a clear sense of the multiple purposes and uses of theatricality in film.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2023)
650 0 _aMotion pictures and theater.
650 0 _aMotion pictures
_xHistory.
650 4 _aDISCOUNT-B.
650 7 _aPERFORMING ARTS / Film & Video / General.
_2bisacsh
700 1 _aLoiselle, André
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.3138/9781442696280
856 4 0 _uhttps://www.degruyter.com/isbn/9781442696280
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781442696280/original
942 _cEB
999 _c213199
_d213199