| 000 | 03055nam a2200517Ia 4500 | ||
|---|---|---|---|
| 001 | 213240 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211163824.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231101t20092009onc fo d z eng d | ||
| 019 | _a(OCoLC)1013956455 | ||
| 020 | _a9780802099464 _qprint | ||
| 020 | _a9781442697560 _qPDF | ||
| 024 | 7 | _a10.3138/9781442697560 _2doi | |
| 035 | _a(DE-B1597)9781442697560 | ||
| 035 | _a(DE-B1597)465226 | ||
| 035 | _a(OCoLC)944176459 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aPQ1705.S5 | |
| 072 | 7 | _aLIT014000 _2bisacsh | |
| 082 | 0 | 4 | _a841/.3 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aGiordano, Michael _eautore | |
| 245 | 1 | 4 | _aThe Art of Meditation and the French Renaissance Love Lyric : _bThe Poetics of Introspection in Maurice Scève's Délie, objet de plus haulte vertu (1544) / _cMichael Giordano. | 
| 264 | 1 | _aToronto : _bUniversity of Toronto Press, _c[2009] | |
| 264 | 4 | _c©2009 | |
| 300 | _a1 online resource (1056 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aThe Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love.At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 | _aIntrospection in literature. | |
| 650 | 0 | _aLove poetry, French _xHistory and criticism. | |
| 650 | 0 | _aMeditation in literature. | |
| 650 | 7 | _aLITERARY CRITICISM / Poetry. _2bisacsh | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781442697560 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442697560/original | 
| 942 | _cEB | ||
| 999 | _c213240 _d213240 | ||