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| 003 | IT-RoAPU | ||
| 005 | 20231211163828.0 | ||
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| 008 | 231101t20092009onc fo d z eng d | ||
| 019 | _a(OCoLC)1013942826 | ||
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_a9780802099600 _qprint  | 
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| 020 | 
_a9781442698703 _qPDF  | 
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_a10.3138/9781442698703 _2doi  | 
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| 035 | _a(DE-B1597)9781442698703 | ||
| 035 | _a(DE-B1597)465245 | ||
| 035 | _a(OCoLC)944176318 | ||
| 040 | 
_aDE-B1597 _beng _cDE-B1597 _erda  | 
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| 050 | 4 | _aN1030 | |
| 072 | 7 | 
_aART015010 _2bisacsh  | 
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| 082 | 0 | 4 | _a708.2/13209041 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | 
_aGeddes Poole, Andrea _eautore  | 
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| 245 | 1 | 0 | 
_aStewards of the Nation's Art : _bContested Cultural Authority 1890-1939 / _cAndrea Geddes Poole.  | 
| 264 | 1 | 
_aToronto :  _bUniversity of Toronto Press, _c[2009]  | 
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| 264 | 4 | _c©2009 | |
| 300 | _a1 online resource (368 p.) | ||
| 336 | 
_atext _btxt _2rdacontent  | 
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| 337 | 
_acomputer _bc _2rdamedia  | 
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| 338 | 
_aonline resource _bcr _2rdacarrier  | 
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| 347 | 
_atext file _bPDF _2rda  | 
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| 506 | 0 | 
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star  | 
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| 520 | _aBetween 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - the National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Stewards of the Nation's Art examines the internal tensions between the galleries' administrative directors, the aristocrats dominating the boards of trustees, and those in the Treasury who controlled the funds as well as board appointments.Andrea Geddes Poole uses meticulous primary research from all four of these institutions to discuss changing ideas about class, education, and work during this period. The conflicts between aristocratic trustees and administrative directors were not only about the running of the galleries, but also reflected the era's strain between aristocratic amateurs and nouveau riche professionals. Stewards of the Nation's Art is an absorbing study that explores the extent to which the aristocracy was able to hold on to cultural power in an increasingly professional and meritocratic age. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 | 
_aAristocracy (Social class) _zGreat Britain _xHistory _y19th century.  | 
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| 650 | 0 | 
_aAristocracy (Social class) _zGreat Britain _xHistory _y20th century.  | 
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| 650 | 0 | 
_aArt and state _zGreat Britain _xHistory _y19th century.  | 
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| 650 | 0 | 
_aArt and state _zGreat Britain _xHistory _y20th century.  | 
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| 650 | 7 | 
_aART / African. _2bisacsh  | 
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781442698703 | 
| 856 | 4 | 2 | 
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781442698703/original  | 
| 942 | _cEB | ||
| 999 | 
_c213303 _d213303  | 
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