| 000 | 03759nam a22005415i 4500 | ||
|---|---|---|---|
| 001 | 216352 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234230.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20222017stk fo d z eng d | ||
| 010 | _a2012418856 | ||
| 020 |
_a9781474400107 _qprint |
||
| 020 |
_a9781474400114 _qPDF |
||
| 024 | 7 |
_a10.1515/9781474400114 _2doi |
|
| 035 | _a(DE-B1597)9781474400114 | ||
| 035 | _a(DE-B1597)615607 | ||
| 035 | _a(OCoLC)1306540481 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 0 | 0 |
_aPN1998.3.A46 _bG88 2017 |
| 050 | 4 |
_aPN1998.3.A46 _bG88 2017eb |
|
| 072 | 7 |
_aPER004010 _2bisacsh |
|
| 082 | 0 | 4 |
_a791.4302/33092 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aGutiérrez-Albilla, Julián Daniel _eautore |
|
| 245 | 1 | 0 |
_aAesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar / _cJulián Daniel Gutiérrez-Albilla. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
|
| 264 | 4 | _c©2017 | |
| 300 |
_a1 online resource (232 p.) : _b40 B/W illustrations |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tList of Figures -- _tAcknowledgements -- _tIntroduction: Encountering the Trace -- _t1. Im-Possibility of Not-Returning: Volver -- _t2. Im-Possibility of Not-Sharing: Todo sobre mi madre -- _t3. Im-Possibility of Not-Writing Otherwise: La mala educación -- _t4. Im-Possibility of Not-Succumbing: La piel que habito -- _tNotes -- _tReferences -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aA new critical and theoretical approach to a neglected aspect of Pedro Almodóvar’s cinemaOne of Spain’s most celebrated directors, Pedro Almodóvar has won international recognition for his dark comedy-dramas like Women on the Verge of a Nervous Breakdown, All About My Mother and Volver. Reconceptualising Almodóvar’s films as theoretical and political resources, this innovative book examines a neglected aspect of his cinema: its engagement with the traumatic past, with subjective and collective memory, and with the ethical and political meanings that result from this engagement. With close readings of Almodóvar’s films from the 1990s and 2000s, including Bad Education and The Skin I Live In, Julián Daniel Gutiérrez-Albilla explores how Almodóvar’s cinema mourns and witnesses the traces of trauma, drawing on theoretical approaches from trauma studies, psychoanalysis, philosophy, film studies and visual studies to suggest that his work proposes an ethical model based on our compassionate relations to others, and envisions a world co-inhabited by plurality and difference.Key featuresExplores how Pedro Almodóvar engages with the traumatic pastIncludes close readings of Almodóvar’s films from the 1990s and 2000sDraws on theoretical approaches from trauma studies, psychoanalysis, philosophy, film studies and visual studies | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 |
_aMotion pictures _zSpain _xHistory and criticism. |
|
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / Direction & Production. _2bisacsh |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474400114 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474400114 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474400114/original |
| 942 | _cEB | ||
| 999 |
_c216352 _d216352 |
||