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| 008 | 220302t20222016stk fo d z eng d | ||
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_a9781474402538 _qprint |
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_a9781474402552 _qPDF |
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_a10.1515/9781474402552 _2doi |
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| 035 | _a(DE-B1597)9781474402552 | ||
| 035 | _a(DE-B1597)614776 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aBH39 _b.S28 2016eb |
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| 072 | 7 |
_aPHI001000 _2bisacsh |
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| 082 | 0 | 4 |
_a700.1 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aSauvagnargues, Anne _eautore |
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| 245 | 1 | 0 |
_aArtmachines : _bDeleuze, Guattari, Simondon / _cEugene W. Holland, Anne Sauvagnargues, Suzanne Verderber. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2016 | |
| 300 | _a1 online resource (272 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tAcknowledgements -- _tAbbreviations -- _tTranslator's Preface -- _tIntroduction -- _tPart I: Individuation on Three Planes: Literature, Philosophy, Art -- _t1. Cartographies of Style -- _t2. Diagnosis and Construction of Concepts -- _t3. Ecology of Images and Artmachines -- _tPart II: Deleuze, Aesthetics and the Image -- _t4. The Concept of Modulation in Deleuze, and the Importance of Simondon to the Deleuzian Aesthetic -- _t5. Deleuze: Cinema, Image, Individuation -- _t6. The Table of Categories as a Table of Montage -- _tPart III: Schizoanalysis: Territory, Ecology and the Ritornello -- _t7. Ritornellos of Time -- _t8. Guattari: A Schizoanalytic Knight on a Political Chessboard -- _t9. Symptoms are Birds Tapping at the Window -- _t10. Deligny: Wandering Lines -- _tPart IV: Machines and Assemblages -- _t11. Machines: How Does It Work? -- _t12. Desiring Machines and Social Codings -- _t13. Faciality -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _a13 essays by Deleuze specialist Anne Sauvagnargues - 12 of which were previously unavailable in EnglishArtmachines reveals the continuing potential of Deleuze, Guattari and Simondon to invent new concepts and new modes of creativity and existence. She redeploys their work, together with other key philosophers including Bergson, Lacan, Deligny and Ruyer, to create new concepts including geophilosophy, the artmachine, the ritornello, schizoanalysis and the machinic assemblage.Key FeaturesCuts across the traditional boundaries that divide literary theory, history, art history, philosophy and psychoanalysis Reveals the continuing potential of Deleuze, Guattari and Simondon for the invention of new concepts and new modes of creativity and existence | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | _aIndividuation (Philosophy). | |
| 650 | 4 | _aPhilosophy. | |
| 650 | 7 |
_aPHILOSOPHY / Aesthetics. _2bisacsh |
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| 700 | 1 |
_aFlaxman, Gregory _eautore |
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| 700 | 1 |
_aHolland, Eugene W. _eautore |
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| 700 | 1 |
_aVerderber, Suzanne _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474402552 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474402552 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474402552/original |
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_c216414 _d216414 |
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