000 03309nam a22005295i 4500
001 216434
003 IT-RoAPU
005 20221214234233.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220524t20222016stk fo d z eng d
019 _a(OCoLC)1302163152
020 _a9781474403375
_qprint
020 _a9781474403382
_qPDF
024 7 _a10.1515/9781474403382
_2doi
035 _a(DE-B1597)9781474403382
035 _a(DE-B1597)616179
035 _a(OCoLC)1301548623
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART023000
_2bisacsh
082 0 4 _a791.409
_222//gereng
084 _aonline - DeGruyter
100 1 _aMonteiro, Stephen
_eautore
245 1 0 _aScreen Presence :
_bCinema Culture and the Art of Warhol, Rauschenberg, Hatoum and Gordon /
_cStephen Monteiro.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2016
300 _a1 online resource (200 p.) :
_b60 B/W illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aEdinburgh Studies in Film and Intermediality : ESFI
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aExplores the intersections of film, popular media and art since the 1950sCinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures - Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through a range of new sources, including advertisements, specialty magazines, postcards, technical guides and souvenir programs, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema's shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art.Key featuresConcentrates on four major artists: Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas GordonProvides in-depth studies of selected works by these artistsIncludes significant research on under-valued yet common popular cinema cultures (peep shows, drive-ins, home movies and CinemaScope)
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022)
650 0 _aArt and motion pictures.
650 4 _aFilm, Media & Cultural Studies.
650 7 _aART / Popular Culture.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781474403382?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9781474403382
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781474403382/original
942 _cEB
999 _c216434
_d216434