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008			220302t20222016stk fo d z eng d
010			_a2016429962
020			_a9781474409483 _qprint
020			_a9781474409490 _qPDF
024	7		_a10.1515/9781474409490 _2doi
035			_a(DE-B1597)9781474409490
035			_a(DE-B1597)615805
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aD840 _b.C639 2016
050		4	_aD840
072		7	_aART009000 _2bisacsh
082	0	4	_a909.82/5
084			_aonline - DeGruyter
100	1		_aBeck, John _eautore
245	1	0	_aCold War Legacies : _bLegacy, Theory, Aesthetics / _cJohn Beck, Ryan Bishop.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2016
300			_a1 online resource (320 p.) : _b20 illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aTechnicities : TECH
505	0	0	_tFrontmatter -- _tContents -- _tList of Figures -- _tSeries Editors' Preface -- _tAcknowledgements -- _tNotes on Contributors -- _tIntroduction: The Long Cold War -- _tI Pattern Recognition -- _t1 The Future: RAND, Brand and Dangerous to Know -- _t2 Simulate, Optimise, Partition: Algorithmic Diagrams of Pattern Recognition from 1953 Onwards -- _t3 Impulsive Synchronisation: A Conversation on Military Technologies and Audiovisual Arts -- _tII The Persistence of the Nuclear -- _t4 The Meaning of Monte Bello -- _t5 Deep Geological Disposal and Radioactive Time: Beckett, Bowen, Nirex and Onkalo -- _t6 Shifting the Nuclear Imaginary: Art and the Flight from Nuclear Modernity -- _t7 Alchemical Transformations? Fictions of the Nuclear State after 1989 -- _tIII Ubiquitous Surveillance -- _t8 'The Very Form of Perverse Artificial Societies': The Unstable Emergence of the Network Family from its Cold War Nuclear Bunker -- _t9 The Signal-Haunted Cold War: Persistence of the SIGINT Ontology -- _t10 'Bulk Surveillance', or The Elegant Technicities of Metadata -- _tIV Pervasive Mediations -- _t11 Notes from the Underground: Microwaves, Backbones, Party Lines and the Post Office Tower -- _t12 Insect Technics: War Vision Machines -- _t13 Overt Research -- _t14 Smart Dust and Remote Sensing: The Political Subject in Autonomous Systems -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aConnects Cold War material and conceptual technologies to 21st century arts, society and cultureFrom futures research, pattern recognition algorithms, nuclear waste disposal and surveillance technologies, to smart weapons systems, contemporary fiction and art, this book shows that we live in a world imagined and engineered during the Cold War. Key FeaturesMakes connections between Cold War material and conceptual technologies, as they relate to the arts, society and cultureDraws on theorists such as Paul Virilio, Jacques Derrida, Luce Irigaray, Friedrich Kittler, Jean Baudrillard, Michel Foucault, Michel Serres, Bernard Stiegler, Peter Sloterdijk and Carl SchmittThe contributors include leading humanities and critical military studies scholars, and practising artists, writers, curators and broadcastersContributorsJohn Beck is Professor of Modern Literature and Director of the Institute for Modern and Contemporary Culture at the University of Westminster, London.Ryan Bishop is Professor of Global Arts and Politics, Director of Research and Co-Director of the Winchester Centre for Global Futures in Art Design & Media at the Winchester School of Art, University of Southampton. Ele Carpenter is a curator and writer, and senior lecturer in MFA Curating and convenor of the Nuclear Culture Research Group at Goldsmiths, University of London. Fabienne Collignon is Lecturer in Contemporary Literature at the University of Sheffield. Mark Coté is Lecturer in Digital Culture and Society at King's College London.Daniel Grausam is Lecturer in the Department of English at Durham University. Ken Hollings is a writer and broadcaster, visiting tutor at the Royal College of Art and Associate Lecturer at Central Saint Martins School of Art and Design. Adrian Mackenzie is Professor of Technological Cultures at Lancaster University. Jussi Parikka is a media theorist and writer, and Professor of Technological Culture and Aesthetics at Winchester School of Art, University of Southampton. John W. P. Phillips is Associate Professor in the Department of English at the National University of Singapore. Adam Piette is Professor of English at the University of Sheffield. James Purdon is Lecturer in Modern and Contemporary Literature at the University of St Andrews.Aura Satz is an artist and Moving Image Tutor at the Royal College of Art.Neal White is an artist and Professor of Media Art at the Faculty of Media and Communication, Bournemouth University.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aCivilization _xHistory _y20th century.
650		0	_aCivilization, Modern _y20th century.
650		0	_aCivilization; History, 20th century.
650		0	_aCold War _xInfluence.
650		4	_aPhilosophy.
650		7	_aART / Criticism. _2bisacsh
700	1		_aBeck, John _eautore
700	1		_aBishop, Ryan _eautore
700	1		_aCarpenter, Ele _eautore
700	1		_aCollignon, Fabienne _eautore
700	1		_aCoté, Mark _eautore
700	1		_aGrausam, Daniel _eautore
700	1		_aHollings, Ken _eautore
700	1		_aMackenzie, Adrian _eautore
700	1		_aParikka, Jussi _eautore
700	1		_aPhillips, John W. P. _eautore
700	1		_aPiette, Adam _eautore
700	1		_aPurdon, James _eautore
700	1		_aSatz, Aura _eautore
700	1		_aWhite, Neal _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474409490?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781474409490
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474409490/original
942			_cEB
999			_c216523 _d216523