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001			216567
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008			220629t20222019stk fo d z eng d
020			_a9781474411813 _qprint
020			_a9781474411820 _qPDF
024	7		_a10.1515/9781474411820 _2doi
035			_a(DE-B1597)9781474411820
035			_a(DE-B1597)616231
035			_a(OCoLC)1306541885
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aHIS021000 _2bisacsh
082	0	4	_a791.430233092 _223/eng
084			_aonline - DeGruyter
100	1		_aColeman, Lindsay _eautore
245	1	0	_aKillers, Clients and Kindred Spirits : _bThe Taboo Cinema of Shohei Imamura / _cLindsay Coleman, David Desser.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2019
300			_a1 online resource (360 p.) : _b47 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aEdinburgh Studies in East Asian Film : ESEAF
505	0	0	_tFrontmatter -- _tContents -- _tList of Figures -- _tNotes on the Contributors -- _t1 Introduction -- _t2 The Making of an Auteur: The Early Films (1958–1959) -- _tPART I KILLERS -- _t3 Confronting America: Pigs and Battleships and the Politics of US Bases in Postwar Japan -- _t4 Insect Men and Women: Gender, Conflict and Problematic Modernity in Intentions of Murder -- _t5 Hidden in Plain Sight: The False Leads and True Mysteries of Vengeance Is Mine -- _t6 The Eel: Trauma Cinema -- _tPART II CLIENTS -- _t7 The Insect Woman, or: The Female Art of Failure -- _t8 The Obscene in the Everyday: The Pornographers -- _t9 Shohei Imamura’s Profound Desire for Japan’s Cultural Roots: Critical Approaches to Profound Desires of the Gods -- _t10 “Products of Japan”: Karayuki-san, The Making of a Prostitute -- _t11 The Female Body as Transgressor of National Boundaries: The History of Postwar Japan as Told by a Bar Hostess -- _tPART III KINDRED SPIRITS -- _t12 Better Off Being Bacteria: Adaptation and Allegory in Dr. Akagi -- _t13 Time Out of Joint: Shohei Imamura and the Search for an “Other” Japan -- _t14 Promotional Discourses and the Meanings of The Ballad of Narayama -- _t15 Boundary Play: Truth, Fiction, and Performance in A Man Vanishes -- _t16 Why Not? Imamura, Nietzsche, and the Untimely -- _t17 Kuroi Ame: An Anthropology of Suffering -- _t18 The Symbolic Function of Water -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aA thorough exploration of the work of one of Japan’s most controversial directorsThe only Japanese director to have won the Palme d’Or from Cannes more than once, and second only to Ozu Yasujiro in the number of times he has won the prestigious Kinema Jumpo Best One award, the late Imamura Shohei was one of Japan’s leading and most controversial film directors. This book is one of the first to study all of Imamura’s major films alongside his television and theatrical documentaries, focusing on his major themes and concerns. By giving shape to Imamura’s career, the book positions him as a stylistic innovator as well as an ethnographic investigator into Japanese culture and tradition; the preeminent examiner of the hidden, barely repressed underpinnings of Japanese society.Key featuresThe first book to look at the entire career of Imamura ShoheiIncorporates the work of top Japanese Cinema scholars from the US, UK, Australia, Canada and JapanOrganised by thematic concerns that cut across Imamura’s careerAbout the Contributors:John Berra, Renmin University of ChinaAdam Bingham, SOAS, University of LondonBianca Briciu, Carleton University and St. Paul University, OttawaJennifer Coates, University of East Anglia Lindsay Coleman, independent scholarDavid Deamer, Manchester Metropolitan UniversityRayna Denison, University of East Anglia David Desser, University of Illinois Timothy Iles, University of Victoria, CanadaMats Karlsson, University of SydneyHiroshi Kitamura, College of William and Mary Lauri Kitsnik, Kyoto UniversityDiane Wei Lewis, Washington University in St. LouisDolores P. Martinez, SOAS, University of London and University of OxfordJoan Mellen, Emerita, Temple University Bill Mihalopoulos, University of Central LancasterMichael Raine, Western University, Canada
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aMotion picture producers and directors _zJapan _vBiography.
650		4	_aFilm, Media & Cultural Studies.
650		7	_aHISTORY / Asia / Japan. _2bisacsh
700	1		_aBerra, John _eautore
700	1		_aBingham, Adam _eautore
700	1		_aBriciu, Bianca _eautore
700	1		_aCoates, Jennifer _eautore
700	1		_aColeman, Lindsay _eautore
700	1		_aDeamer, David _eautore
700	1		_aDenison, Rayna _eautore
700	1		_aDesser, David _eautore
700	1		_aIles, Timothy _eautore
700	1		_aKarlsson, Mats _eautore
700	1		_aKitamura, Hiroshi _eautore
700	1		_aKitsnik, Lauri _eautore
700	1		_aLewis, Diane Wei _eautore
700	1		_aMartinez, Dolores P. _eautore
700	1		_aMellen, Joan _eautore
700	1		_aMihalopoulos, Bill _eautore
700	1		_aRaine, Michael _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474411820
856	4	0	_uhttps://www.degruyter.com/isbn/9781474411820
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474411820/original
942			_cEB
999			_c216567 _d216567