000			03490nam a22005415i 4500
001			216579
003			IT-RoAPU
005			20230501182137.0
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007			cr || ||||||||
008			230127t20222020stk fo d z eng d
020			_a9781474413039 _qprint
020			_a9781474413046 _qPDF
024	7		_a10.1515/9781474413046 _2doi
035			_a(DE-B1597)9781474413046
035			_a(DE-B1597)616075
035			_a(OCoLC)1312726273
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN1993.5.G7 _bF66 2020
072		7	_aPER004010 _2bisacsh
082	0	4	_a791.430941 _223
084			_aonline - DeGruyter
100	1		_aForrest, David _eautore
245	1	0	_aNew Realism : _bContemporary British Cinema / _cDavid Forrest.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2020
300			_a1 online resource (224 p.) : _b15 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aTraditions in World Cinema : TWC
505	0	0	_tFrontmatter -- _tCONTENTS -- _tList of Figures -- _tAcknowledgements -- _tTraditions in World Cinema -- _tIntroduction -- _t1. Duane Hopkins -- _t2. Joanna Hogg -- _t3. Andrea Arnold -- _t4. Shane Meadows -- _t5. Clio Barnard -- _tConclusion: New Realism is Dead, Long Live New Realism? -- _tReferences -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aAn indepth study of recent and contemporary British realist cinemaChallenges existing debates about realism and British cinema, and sets out new ground in debates around British cinema Covers in depth some of the key British filmmakers of the last 20 years, such as Shane Meadows, Andrea Arnold and Joanna HoggAddresses recent and contemporary British films which are yet to otherwise receive sustained critical attentionCombines close readings of the films with historically-based, contextual analysisThe tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema – and in the process, it reignites debates over realism that have concerned scholars for decades.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
650		0	_aMotion pictures _zGreat Britain _xHistory _y21st century.
650		0	_aRealism in motion pictures.
650		4	_aFilm, Media & Cultural Studies.
650		7	_aPERFORMING ARTS / Film & Video / Direction & Production. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474413046
856	4	0	_uhttps://www.degruyter.com/isbn/9781474413046
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474413046/original
942			_cEB
999			_c216579 _d216579