000			06073nam a22007935i 4500
001			216617
003			IT-RoAPU
005			20221214234240.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220629t20222017stk fo d z eng d
010			_a2018286517
020			_a9781474414845 _qprint
020			_a9781474414869 _qPDF
024	7		_a10.1515/9781474414869 _2doi
035			_a(DE-B1597)9781474414869
035			_a(DE-B1597)615667
035			_a(OCoLC)1306540404
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN3504 _b.T85 2018
050		4	_aPN3504 _b.T85 2018
072		7	_aLIT000000 _2bisacsh
082	0	4	_a810/820
084			_aonline - DeGruyter
100	1		_aMurphy, Bernice _eautore
245	1	0	_aTwenty-First-Century Popular Fiction / _cBernice Murphy, Stephen Matterson.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2017
300			_a1 online resource (256 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgements -- _tIntroduction: ‘Changing the Story’ – Popular Fiction Today -- _tChapter 1 Larry McMurtry’s Vanishing Breeds -- _tChapter 2 ‘Time to Open the Door’: Stephen King’s Legacy -- _tChapter 3 Terry Pratchett: Mostly Human -- _tChapter 4 From Westeros to HBO: George R. R. Martin and the Mainstreaming of Fantasy -- _tChapter 5 Nora Roberts: The Power of Love -- _tChapter 6 The King of Stories: Neil Gaiman’s Twenty-First- Century Fiction -- _tChapter 7 Jo Nesbø: Murder in the Folkhemmet -- _tChapter 8 ‘It’s a Trap! Don’t Turn the Page’: Metafiction and the Multiverse in the Comics of Grant Morrison -- _tChapter 9 Panoptic and Synoptic Surveillance in Suzanne Collins’s Hunger Games Series -- _tChapter 10 E. L. James and the Fifty Shades Phenomenon -- _tChapter 11 Fact, Fiction, Fabrication: The Popular Appeal of Dan Brown’s Global Bestsellers -- _tChapter 12 ‘I Need to Disillusion You’: J. K. Rowling and Twenty-First- Century Young Adult Fantasy -- _tChapter 13 Jodi Picoult: Good Grief -- _tChapter 14 ‘We Will Have a Happy Marriage If It Kills Him’: Gillian Flynn and the Rise of Domestic Noir -- _tChapter 15 ‘The Bastard Zone’: China Miéville, Perdido Street Station and the New Weird -- _tChapter 16 Sparkly Vampires and Shimmering Aliens: The Paranormal Romance of Stephenie Meyer -- _tChapter 17 ‘We Needed to Get a Lot of White Collars Dirty’: Apocalypse as Opportunity in Max Brooks’s World War Z -- _tChapter 18 Genre and Uncertainty in Tana French’s Dublin Murder Squad Mysteries -- _tChapter 19 ‘You Get What You Ask For’: Hugh Howey, Science Fiction and Authorial Agency -- _tChapter 20 Cherie Priest: At the Intersection of History and Technology -- _tAbout the Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aProvides a unique snapshot of themes and trends within popular fiction in the twenty-first centuryThis groundbreaking collection captures the state of popular fiction in present day. It features twenty new essays on key authors associated with a wide range of genres and sub-genres, providing chapter-length discussions of major post-2000 works of contemporary popular fiction. The lively, accessible and academically rigorous essays presented here cover a wider range of established popular fiction genres such as fantasy, horror and the romance, as well as more niche areas such as Domestic Noir, Steampunk, the New Weird, Nordic Noir and Zombie Lit. The collection will primarily appeal to undergraduate and postgraduate students but general readers may also find the focus on many of today’s most prominent and influential authors to be of interest.Key FeaturesProvides students with a timely and accessible overview of current trends within contemporary popular fictionIncludes timely reassessments of recent fiction by established figures such as Stephen King, George R.R. Martin, Larry McMurtry, Neil Gaiman, J.K. Rowling, Jodi Picoult, China Miéville, Grant Morrison, Terry Pratchett and Nora Roberts as well as consideration of authors who have emerged more recently, amongst them Stephenie Meyer, Gillian Flynn, E.L. James, Hugh Howey, Cherie Priest, and Max BrooksIncludes supplementary material such recommended further reading at the end of each chapter
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aAmerican literature _y21st century _xHistory and criticism.
650		0	_aEnglish fiction _y21st century _xHistory and criticism.
650		0	_aPopular literature _y21st century _xHistory and criticism.
650		4	_aLiterary Studies.
650		7	_aLITERARY CRITICISM / General. _2bisacsh
700	1		_aClarke, Clare _eautore
700	1		_aCliff, Brian _eautore
700	1		_aDowney, Dara _eautore
700	1		_aHarvey, Kate _eautore
700	1		_aHayes-Brady, Clare _eautore
700	1		_aHynes, Gerard _eautore
700	1		_aJanicker, Rebecca _eautore
700	1		_aKenneally, Stephen _eautore
700	1		_aKilleen, Jarlath _eautore
700	1		_aKinane, Ian _eautore
700	1		_aMatterson, Stephen _eautore
700	1		_aMurphy, Bernice M. _eautore
700	1		_aO’Sullivan, Keith _eautore
700	1		_aPrescott, Tara _eautore
700	1		_aPriest, Hannah _eautore
700	1		_aRoddy, Kate _eautore
700	1		_aShanahan, Jim _eautore
700	1		_aSiemann, Catherine _eautore
700	1		_aTranter, Kirsten _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474414869
856	4	0	_uhttps://www.degruyter.com/isbn/9781474414869
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474414869/original
942			_cEB
999			_c216617 _d216617