| 000 | 03546nam a22005295i 4500 | ||
|---|---|---|---|
| 001 | 216648 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234241.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20222019stk fo d z eng d | ||
| 010 | _a2019285674 | ||
| 020 | _a9781474416399 _qprint | ||
| 020 | _a9781474416405 _qPDF | ||
| 024 | 7 | _a10.1515/9781474416405 _2doi | |
| 035 | _a(DE-B1597)9781474416405 | ||
| 035 | _a(DE-B1597)614438 | ||
| 035 | _a(OCoLC)1306537997 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 0 | 0 | _aPN1995.9.P42 _bB65 2019 | 
| 072 | 7 | _aPER004000 _2bisacsh | |
| 082 | 0 | 4 | _a791.4301 _223 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aBolton, Lucy _eautore | |
| 245 | 1 | 0 | _aContemporary Cinema and the Philosophy of Iris Murdoch / _cLucy Bolton. | 
| 264 | 1 | _aEdinburgh : _bEdinburgh University Press, _c[2022] | |
| 264 | 4 | _c©2019 | |
| 300 | _a1 online resource (248 p.) : _b25 B/W illustrations | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tFigures -- _tAcknowledgements -- _tAbbreviations -- _tFrontispiece: Iris Murdoch pays loving attention to art -- _t1 Introduction: Thinking about Cinema and Iris Murdoch -- _t2 Film as Art, and Cinema as a Hall of Reflection -- _t3 Film as a Moral Fable -- _t4 Film and the Existential Hero(ine) -- _t5 Film, Love and Goodness -- _t6 Film, Comedy and Tragedy -- _t7 Film and Women’s Stories -- _t8 Metaphysics as a Guide to Movies -- _tBibliography -- _tFilmography -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aOpens a dialogue between contemporary film and Iris Murdoch’s thinking on art, goodness and existentialismIris Murdoch was not only one of post-war Britain’s most celebrated and prolific novelists – she was also an influential philosopher, whose work was concerned with the question of the good and how we can see our moral worlds more clearly. Murdoch believed that paying attention to art is a way for us to become less self-centred, and this book argues that cinema is the perfect form of art to enable us to do this. Bringing together Murdoch’s moral philosophy and contemporary cinema to build a dialogue about vision, ethics and love, author Lucy Bolton encourages us to view cinema as a way of studying other worlds and moral journeys, and to reflect upon their ethical significance in the world of the film and in our daily lives. Key featuresSets out the philosophical concerns of Iris Murdoch Stages an encounter between Murdoch’s moral philosophy and a range of international contemporary filmsFurthers the discipline of film-philosophy by bringing Murdoch’s thinking into relation with cinema in a sustained and detailed analysis | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | _aMotion pictures _xPhilosophy. | |
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 | _aPERFORMING ARTS / Film & Video / General. _2bisacsh | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474416405 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474416405 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474416405/original | 
| 942 | _cEB | ||
| 999 | _c216648 _d216648 | ||