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001			216656
003			IT-RoAPU
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008			220302t20222017stk fo d z eng d
020			_a9781474416825 _qprint
020			_a9781474416832 _qPDF
024	7		_a10.1515/9781474416832 _2doi
035			_a(DE-B1597)9781474416832
035			_a(DE-B1597)614388
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPER004000 _2bisacsh
082	0	4	_a791.430973 _223
084			_aonline - DeGruyter
100	1		_aTzioumakis, Yannis _eautore
245	1	0	_aAmerican Independent Cinema : _bSecond Edition / _cYannis Tzioumakis.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2017
300			_a1 online resource (352 p.) : _b15 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tTables -- _tCase studies -- _tFigures -- _tAcknowledgements for the first edition -- _tAcknowledgements for the second edition -- _tPreface to the second edition -- _tIntroduction: problems of definition and the discourse of American independent cinema -- _tPart I American independent cinema in the studio years (mid-1920s to late 1940s) -- _t1 Independent filmmaking in the studio era: tendencies within the studio system -- _t2 Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- _tPart II American independent cinema in the post-studio era (late 1940s to late 1960s) -- _t3 Independence by force: the effects of the Paramount decree on independent film production -- _t4 An audience for the independents: exploitation films for the nation's youth -- _tPart III American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- _t5 The New Hollywood and the independent Hollywood -- _t6 American independent cinema in the age of the conglomerates -- _tPart IV Contemporary American independent cinema (1980s to date) -- _t7 Mini-majors and major independents -- _t8 The institutionalisation of American independent cinema -- _t9 American independent cinema in the age of media convergence -- _tEpilogue: from independent cinema to specialty content -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aA history of independent cinema in the US from an industrial perspectiveThis introduction to American Independent Cinema offers both a comprehensive industrial and economic history of the sector from the early twentieth century to the present and a study of key individual films, filmmakers and film companies.Ordered chronologically, beginning with independent filmmaking in the studio era (examining both top-rank and low-end independent film production), moving to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking) and finishing with contemporary American independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalisation of independent cinema in the 1990s), readers will develop an understanding of the complex dynamic relations between independent and mainstream American cinema. Thoroughly updated to include developments from the mid-2000s onwards, this second edition includes new case studies, a new chapter on American Independent Cinema in the Age of Media Convergence, a new prologue and an enhanced epilogue and bibliography. Each chapter includes case studies focusing on specific films or filmmakers, and independent production and distribution companies are discussed throughout the text.Films, filmmakers and film companies examined include:Cagney Productions and Johnny Come Lately, Blood on the Sun and The Time of Your LifeJohn Ford and StagecoachThe Charlie Chan seriesLomitas Productions, Stanley Kramer and The Defiant Ones, On the Beach and Inherit the WindWilliam Castle and MacabreJohn Cassavetes and ShadowsDennis Hopper and The Last MovieAmerican International Pictures and Foxy BrownJohn Sayles and Return of the Secaucus SevenFilmhaus Productions, David Mamet and House of GamesSteven Soderbergh and Sex, Lies and VideotapeKevin Smith and ClerksMichael London Productions and SidewaysDuplass Brothers, Through Films and TangerineMonogram, Republic Pictures and Producers Releasing CorporationWilliam Castle Productions, Embassy Pictures, New World Pictures, Dimension and Crown InternationalOrion PicturesThe Sundance Film Institute
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		4	_aFilm, Media & Cultural Studies.
650		7	_aPERFORMING ARTS / Film & Video / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474416832
856	4	0	_uhttps://www.degruyter.com/isbn/9781474416832
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474416832/original
942			_cEB
999			_c216656 _d216656