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001			216697
003			IT-RoAPU
005			20221214234243.0
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007			cr || ||||||||
008			220629t20222017stk fo d z eng d
010			_a2017296265
020			_a9781474418935 _qprint
020			_a9781474418959 _qPDF
024	7		_a10.1515/9781474418959 _2doi
035			_a(DE-B1597)9781474418959
035			_a(DE-B1597)615000
035			_a(OCoLC)1306538452
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aB2430.L964 _bA65 2017
050		4	_aB2430.L964 _bA65 2017
072		7	_aPER004000 _2bisacsh
082	0	4	_a791
084			_aonline - DeGruyter
100	1		_aJones, Graham _eautore
245	1	0	_aAcinemas : _bLyotard's Philosophy of Film / _cGraham Jones, Ashley Woodward.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2017
300			_a1 online resource (240 p.) : _b5 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgements -- _tAbbreviations -- _tTranslators’ Note -- _tI. Openings -- _t1. Setting the Scene -- _t2. Why Lyotard and Film? -- _t3. Cinema Lyotard: An Introduction -- _tII. Lyotard’s Essays on Film -- _t4. Acinema -- _t5. The Unconscious as Mise-en-scène -- _t6. Two Metamorphoses of the Seductive in Cinema -- _t7. The Idea of a Sovereign Film -- _tIII. Approaches and Interpretations -- _t8. Imaginary Constructs? A Libidinal Economy of the Cinematographic Medium -- _t9. Lyotard and the Art of Seduction -- _t10. Authorisation: Lyotard’s Sovereign Image -- _tIV. Applications and Extensions -- _t11. Discourse, Figure, Suture: Lyotard and Cinematic Space -- _t12. On Dialogue as Performative Art Criticism -- _t13. Give Me a Sign: An Anxious Exploration of Performance on Film, Under Lyotard’s Shadow -- _t14. How Desire Works: A Lyotardian Lynch -- _t15. Aberrant Movement and Somatography in the Hysterical Comedies of Roméo Bosetti -- _tAppendices -- _t1. Lyotard’s Film Work -- _t2. Memorial Immemorial -- _t3. Filmography -- _t4. Bibliography -- _tNotes on Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe first major survey of Lyotard’s contribution to film theory, combining his original essays with new critical works by leading scholarsThis collection presents, for the first time in English, Jean-François Lyotard’s major essays on film: 'Acinema', 'The Unconscious as Mise-en-scène', 'Two Metamorphoses of the Seductive in Cinema' and 'The Idea of a Sovereign Film'. Then, eight critical essays by philosophers and film theorists examine Lyotard's film work and influence across two sections: 'Approaches and Interpretations' and 'Applications and Extensions'. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard’s film-philosophy, an overview of Lyotard’s practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. Jean-François Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard’s reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy.ContributorsKiff Bamford, Leeds Beckett University, UKKeith Crome, Manchester Metropolitan University, UKJean-Michel Durafour, University Paris-Est, France Claudine Eizykman, University of Paris 8, FranceGuy Fihman, University of Paris 8, FranceJulie Gaillard, Emory University, USAJon Hackett, St Mary’s University, UKVlad Ionescu, Hasselt University, BelgiumGraham Jones, Federation University, Australia Peter W. Milne, Seoul National University, South KoreaLisa Trahair, New South Wales, AustraliaSusana Viegas, Nova University of Lisbon (NOVA), Portugal and Deakin University, AustraliaJames Williams, Deakin University, Australia
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aMotion pictures _xAesthetics.
650		0	_aMotion pictures _xPhilosophy.
650		0	_aPainting and motion pictures.
650		4	_aPhilosophy.
650		7	_aPERFORMING ARTS / Film & Video / General. _2bisacsh
700	1		_aBamford, Kiff _eautore
700	1		_aCrome, Keith _eautore
700	1		_aDurafour, Jean-Michel _eautore
700	1		_aEizykman, Claudine _eautore
700	1		_aFihman, Guy _eautore
700	1		_aGaillard, Julie _eautore
700	1		_aHackett, Jon _eautore
700	1		_aIonescu, Vlad _eautore
700	1		_aJones, Graham _eautore
700	1		_aLyotard, Jean-François _eautore
700	1		_aMilne, Peter W. _eautore
700	1		_aTrahair, Lisa _eautore
700	1		_aViegas, Susana _eautore
700	1		_aWilliams, James _eautore
700	1		_aWoodward, Ashley _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474418959
856	4	0	_uhttps://www.degruyter.com/isbn/9781474418959
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474418959/original
942			_cEB
999			_c216697 _d216697