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| 001 | 216728 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234245.0 | ||
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| 008 | 220629t20222018stk fo d z eng d | ||
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_a9781474420624 _qprint |
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_a9781474420631 _qPDF |
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| 024 | 7 |
_a10.1515/9781474420631 _2doi |
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| 035 | _a(DE-B1597)9781474420631 | ||
| 035 | _a(DE-B1597)616125 | ||
| 035 | _a(OCoLC)1306538000 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aPER004010 _2bisacsh |
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| 082 | 0 | 4 | _a791.43/6 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aO'Meara, Jennifer _eautore |
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| 245 | 1 | 0 |
_aEngaging Dialogue : _bCinematic Verbalism in American Independent Cinema / _cJennifer O'Meara. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2018 | |
| 300 | _a1 online resource (232 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aTraditions in American Cinema : TAC | |
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tFIGURES -- _tACKNOWLEDGEMENTS -- _tINTRODUCTION -- _t1. MEASURING ENGAGING DIALOGUE -- _t2. VERBAL-VISUAL STYLE AND WORDS VISUALISED -- _t3. THE INTEGRATED SOUNDTRACK AND LYRICAL SPEECH -- _t4. DIALOGUE AND CHARACTER CONSTRUCTION -- _t5. EMBODYING DIALOGUE: RICH VOICES, EXPRESSIVE MOUTHS AND GESTICULATION -- _t6. GENDERED VERBAL DYNAMICS: SENSITIVE MEN AND EXPLICIT WOMEN -- _t7. ADAPTING DIALOGUE AND AUTHORIAL DOUBLE-VOICING -- _tCONCLUSION: VERBAL EXTREMES AND EXCESS -- _tFILMOGRAPHY -- _tBIBLIOGRAPHY -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aExplores how American directors engage audiences through dialogue that is creatively designed and executedProvides a framework for analysing dialogue design and execution that can be readily applied to other films and filmmakersHighlights how speech can be central to cinema without overshadowing its medium-specific componentsDevelops new connections between film dialogue, reception studies, independent cinema and auteur studiesExamining the centrality of dialogue to American independent cinema, Jennifer O’Meara argues that it is impossible to separate small budgets from the old adage that ‘talk is cheap’. Focusing on the 1980s until the present, particularly on the films by writer-directors like Jim Jarmusch, Noah Baumbach and Richard Linklater, this book demonstrates dialogue’s ability to engage audiences and bind together the narrative, aesthetic and performative elements of selected cinema. Questioning the association of dialogue-centred films with the ‘literary’ and the ‘un-cinematic’, O’Meara highlights how speech in independent cinema can instead hinge on what is termed ‘cinematic verbalism’: when dialogue is designed and executed in complex, medium-specific ways.Read a sample chapter (pdf)" | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | _aDialogue in motion pictures. | |
| 650 | 0 |
_aIndependent films _xHistory and criticism _zUnited States. |
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| 650 | 0 |
_aIndependent films _zUnited States _xHistory and criticism. |
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| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / Direction & Production. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474420631?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474420631 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474420631/original |
| 942 | _cEB | ||
| 999 |
_c216728 _d216728 |
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