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001			216754
003			IT-RoAPU
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008			220629t20222018stk fo d z eng d
020			_a9781474421614 _qprint
020			_a9781474421621 _qPDF
024	7		_a10.1515/9781474421621 _2doi
035			_a(DE-B1597)9781474421621
035			_a(DE-B1597)615984
035			_a(OCoLC)1306540861
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aHIS008000 _2bisacsh
082	0	4	_a791.430 233092 _223
084			_aonline - DeGruyter
100	1		_aSchultz, Corey Kai Nelson _eautore
245	1	0	_aMoving Figures : _bClass and Feeling in the Films of Jia Zhangke / _cCorey Kai Nelson Schultz.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2018
300			_a1 online resource (208 p.) : _b50 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aEdinburgh Studies in East Asian Film : ESEAF
505	0	0	_tFrontmatter -- _tContents -- _tFigures -- _tAcknowledgments -- _tIntroduction -- _tChapter 1 The Worker Class: From Leader to the Margins -- _tChapter 2 The Peasant and the Mingong: From Empathy to Sympathy to Looking Back -- _tChapter 3 The Soldier: From Degraded Reproduction to Avenging Hero -- _tChapter 4 The Intellectual: Power and the Voice -- _tChapter 5 The Entrepreneur: From Crook to “New Reform Model” -- _tNotes -- _tFilmography -- _tWorks Cited -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aExamines how the Chinese ‘Reform Era’ is constructed and felt in the films of Jia ZhangkeUses the concept of structures of feelings to evaluate the emotional qualities of Jia Zhangke's films Provides an alternative way to examine how films can create meaning through feeling Considers how social change and class transition in China have been evoked and represented in Zhangke's filmsSince 1979, China has been undergoing a period of immense social and economic change, transitioning from state-run economics to free market capitalism. This book focuses on how the ‘Reform Era’ has been constructed in the work of the director Jia Zhangke, analysing the archetypal class figures of worker, peasant, soldier, intellectual and entrepreneur that are found in his films. Examining how these figures are represented, and how Jia’s cinematography creates those ‘structures of feeling’ that concretise around a particular time and place, the book argues that Jia’s cinema should be understood not just as narratives that represent Chinese social transition, but also as an effort to engage the audience’s emotional responses through representation, symbolism and the affective experience of specific cinematic tropes.Making an important contribution to scholarship about the Reform Era, and opening up many new areas in the larger fields of Chinese visual culture, cultural studies and the affective qualities of film, this is groundbreaking work about a cinematic culture in a period of profound transformation.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aMotion pictures _xPolitical aspects _zChina.
650		0	_aMotion pictures _xSocial aspects _zChina.
650		4	_aFilm, Media & Cultural Studies.
650		7	_aHISTORY / Asia / China. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474421621?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781474421621
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474421621/original
942			_cEB
999			_c216754 _d216754