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|---|---|---|---|
| 001 | 216763 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234246.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220629t20222017stk fo d z eng d | ||
| 010 | _a2018285026 | ||
| 020 | _a9781474422697 _qprint | ||
| 020 | _a9781474422710 _qPDF | ||
| 024 | 7 | _a10.1515/9781474422710 _2doi | |
| 035 | _a(DE-B1597)9781474422710 | ||
| 035 | _a(DE-B1597)616345 | ||
| 035 | _a(OCoLC)1312727148 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 0 | 0 | _aPN3433.5 _b.W55 2017 | 
| 072 | 7 | _aLIT004260 _2bisacsh | |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aWillems, Brian _eautore | |
| 245 | 1 | 0 | _aSpeculative Realism and Science Fiction / _cBrian Willems. | 
| 264 | 1 | _aEdinburgh : _bEdinburgh University Press, _c[2022] | |
| 264 | 4 | _c©2017 | |
| 300 | _a1 online resource (240 p.) : _b1 B/W illustrations 1 B/W tables | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 490 | 0 | _aSpeculative Realism : SPRE | |
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tAcknowledgements -- _tSeries Editor’s Preface -- _tIntroduction -- _t1 The Zug Effect -- _t2 Divine Paraphrase: Cormac McCarthy -- _t3 Double-Vision: Neil Gaiman -- _t4 Subtraction and Contradiction: China Miéville -- _t5 Tension and Phase: Doris Lessing -- _t6 Animal Death: Paolo Bacigalupi -- _t7 Transcription: Kim Stanley Robinson -- _tConclusion -- _tBibliography -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aImagines the end of anthropocentrism through contemporary science fiction and speculative realismA human-centred approach to the environment is leading to ecological collapse. One of the ways that speculative realism challenges anthropomorphism is by taking non-human things to be as valid objects of investivation as humans, allowing a more responsible and truthful view of the world to take place. Brian Willems uses a range of science fiction literature that questions anthropomorphism both to develop and challenge this philosophical position. He looks at how nonsense and sense exist together in science fiction, the way in which language is not a guarantee of personhood, the role of vision in relation to identity formation, the difference between metamorphosis and modulation, representations of non-human deaths and the function of plasticity within the Anthropocene. Willems considers the works of Cormac McCarthy, Paolo Bacigalupi, Neil Gaiman, China Miéville, Doris Lessing and Kim Stanley Robinson are considered alongside some of the main figures of speculative materialism including Graham Harman, Quentin Meillassoux and Jane Bennett. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | _aAnthropomorphism. | |
| 650 | 0 | _aScience fiction _xHistory and criticism _xTheory, etc. | |
| 650 | 4 | _aPhilosophy. | |
| 650 | 7 | _aLITERARY CRITICISM / Science Fiction & Fantasy. _2bisacsh | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474422710 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474422710 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474422710/original | 
| 942 | _cEB | ||
| 999 | _c216763 _d216763 | ||