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| 001 | 216775 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234247.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 220629t20222018stk fo d z eng d | ||
| 020 |
_a9781474423311 _qprint |
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| 020 |
_a9781474423328 _qPDF |
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| 024 | 7 |
_a10.1515/9781474423328 _2doi |
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| 035 | _a(DE-B1597)9781474423328 | ||
| 035 | _a(DE-B1597)614206 | ||
| 035 | _a(OCoLC)1312726156 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT004160 _2bisacsh |
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| 082 | 0 | 4 | _a820.9/353 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aSalton-Cox, Glyn _eautore |
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| 245 | 1 | 0 |
_aQueer Communism and the Ministry of Love : _bSexual Revolution in British Writing of the 1930s / _cGlyn Salton-Cox. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2018 | |
| 300 | _a1 online resource (240 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction: The Perverts of Modernity -- _tChapter 1 Boy Meets Camera: Christopher Isherwood and Sergei Tretiakov -- _tChapter 2 Sylvia Townsend Warner’s Queer Vanguardism -- _tChapter 3 The Hymning of Heterosexuality: Katharine Burdekin and the Popular Front -- _tChapter 4 Orwell’s Hope in the Proles -- _tCoda: A Little Window for the Bourgeoisie -- _tNotes -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aProvides a detailed examination of a distinctive crossroads in the history of the left Queer Communism reconstructs queer writers’ engagements with a series of wide-ranging Marxist aesthetic debates, social forms and political strategies. Through case studies of Christopher Isherwood and Sylvia Townsend Warner, Salton-Cox argues that queer writing of the 1930s was deeply embedded in a network of transnational leftist formations stretching across Weimar Germany, Soviet Russia, Spain and China. Probing the left’s mounting heteronormativity in the late 30s and 40s in chapters on Katharine Burdekin and George Orwell, Queer Communism also traces the genesis of post-war sexual politics in Popular Front antifascism. Salton-Cox’s study transforms current narratives of mid-century literary, cultural and intellectual history from a queer Marxist perspective.Key Features:Rearticulates major figures with lesser known authorsA unique exploration of the transnational formation of queer leftist writing in 1930s Britain informed by detailed research on Weimar Berlin, British , and the Soviet UnionA queer Marxist critique of anti-fascist fiction and the sexual politics of midcentury BritainRedefines our understanding of 1930s literary history, queer theory, and Marxism | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 4 | _aLiterary Studies. | |
| 650 | 7 |
_aLITERARY CRITICISM / LGBT. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474423328 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474423328 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474423328/original |
| 942 | _cEB | ||
| 999 |
_c216775 _d216775 |
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