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008 220629t20222018stk fo d z eng d
010 _a2018289172
020 _a9781474426299
_qprint
020 _a9781474426305
_qPDF
024 7 _a10.1515/9781474426305
_2doi
035 _a(DE-B1597)9781474426305
035 _a(DE-B1597)614100
035 _a(OCoLC)1306541412
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1998.3.R46
_bN48 2018
050 4 _aPN1998.3.R46
_bN48 2018
072 7 _aPER004010
_2bisacsh
082 0 4 _a791.430233092 (R)
084 _aonline - DeGruyter
100 1 _aNevin, Barry
_eautore
245 1 0 _aCracking Gilles Deleuze’s Crystal :
_bNarrative Space-time in the Films of Jean Renoir /
_cBarry Nevin.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2018
300 _a1 online resource (256 p.) :
_b20 B/W illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tFigures --
_tNotes on Style --
_tAcknowledgements --
_tPreface --
_tIntroduction --
_tCHAPTER 1 Theatrum Mundi: Framing Urban Dynamics in Renoir’s Paris --
_tCHAPTER 2 From Desert to Dreamscape: Viewing Renoir’s Rural Landscapes as Spatial Arenas --
_tCHAPTER 3 Portraying the Future(s) of the Front Populaire --
_tCHAPTER 4 Renoir’s crises anti-réalistes: Framing le temps gelé --
_tConclusion --
_tAppendix: Corpus Breakdown --
_tNotes --
_tReferences --
_tFilm Index --
_tGeneral Subject Index
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aApplies complex Deleuzian thought to the quintessential French auteurJean Renoir is widely considered as one of the most important technical innovators and politically engaged filmmakers in cinema history. Reassessing the unique qualities of Renoir’s influential visual style by interpreting his films through Gilles Deleuze’s film philosophy, and through previously unpublished production files, Barry Nevin provides a fresh and accessible interdisciplinary perspective that illuminates both the consistency and diversity of Renoir’s oeuvre. Exploring canonised landmarks in Renoir’s career, including La Grande Illusion (1937) and La Règle du jeu (1939), the book also considers neglected films such as Le Bled (1929) and Diary of a Chambermaid (1946) to present a rounded analysis of this quintessential French auteur’s oeuvre.Key FeaturesExamines the complex relationship between Deleuze’s film philosophy and spatial thought with clarityClearly theorises key concepts including time and spaceAnalyses films from each phase of Renoir’s career including his silent work, his politically engaged features of the 1930s, his Hollywood films and his post-war costume-dramasInvestigates Renoir’s key settings, political engagement and evolutions in his narrative style
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 0 _aMotion pictures
_xHistory.
650 4 _aFilm, Media & Cultural Studies.
650 7 _aPERFORMING ARTS / Film & Video / Direction & Production.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781474426305
856 4 0 _uhttps://www.degruyter.com/isbn/9781474426305
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781474426305/original
942 _cEB
999 _c216827
_d216827