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| 001 | 216838 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234249.0 | ||
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| 008 | 220629t20222018stk fo d z eng d | ||
| 010 | _a2018289101 | ||
| 020 |
_a9781474427371 _qprint |
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| 020 |
_a9781474427395 _qPDF |
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_a10.1515/9781474427395 _2doi |
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| 035 | _a(DE-B1597)9781474427395 | ||
| 035 | _a(DE-B1597)614301 | ||
| 035 | _a(OCoLC)1306539162 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 0 | 0 |
_aPN1995.9.E96 _bH63 2018 |
| 050 | 4 |
_aPN1995.9.E96 _bH63 2018 |
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| 072 | 7 |
_aPER004010 _2bisacsh |
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| 082 | 0 | 4 | _a791.43/61 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aHobbs, Simon _eautore |
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| 245 | 1 | 0 |
_aCultivating Extreme Art Cinema : _bText, Paratext and Home Video Culture / _cSimon Hobbs. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2018 | |
| 300 |
_a1 online resource (240 p.) : _b15 B/W illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tFigures -- _tAcknowledgements -- _tCHAPTER 1 Introduction -- _tCHAPTER 2 Art and Exploitation: Crossover, Slippage and Fluidity -- _tCHAPTER 3 Early Extremity on DVD: History, Precursors and Exploitation Auteurs -- _tCHAPTER 4 Weekend and Cannibal Holocaust: Art, Ballyhoo and Remediation -- _tCHAPTER 5 Salò, Or the 120 Days of Sodom and Ilsa, the Wicked Warden: Fascism, Pornography and Disgust -- _tCHAPTER 6 Contemporary Extremity on DVD: Trends, Hard-core and Geographic Mobility -- _tCHAPTER 7 Michael Haneke: Glaciation, Legitimacy and Transgression -- _tCHAPTER 8 Lars von Trier: Provocation, Condemnation and Confrontation -- _tCHAPTER 9 Conclusion -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aExamines the phenomenon of extreme cinema through an in-depth application of paratextual theoryUsing paratextual theory to address the accusations of gimmickry often directed towards extreme art films, Cultivating Extreme Art Cinema: Text, Paratext, and Home Video Culture focuses upon the DVD and Blu-ray object, analysing how sleeve designs, blurbs, and special features shape the identity of the film and prepare the audience for a particular type of cinematic experience. The book discusses the complex interactions that take place on these commercial artefacts, the ways they communicate to both ‘highbrow’ and ‘lowbrow’ audiences, and the manner in which they breach tradition taste distinctions. Including case studies of features like Cannibal Holocaust, Funny Games and Antichrist, the book explores the complicated dichotomies between art and exploitation films to present a fluid history of extreme art cinema.Key featuresArgues for the critical and cultural significance of paratexts, and the DVD in particular, in shaping our interaction with extreme art cinemaProvides primary analysis to help examine existing debates surrounding extreme art cinema and its employment of exploitation traditionsIntroduces a novel area of paratextual investigation which moves away from the more traditional exploration of epiphenomena associated with large fan propertiesHighlights the way paratextual materials define the identity of a text through their application of certain signifiersComplicates the dichotomies between art and exploitation cinema to present a fluid history of extreme art cinemaInserts exploitation cinema more definitively into discourses of extreme art film | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | _aDVD-Video discs. | |
| 650 | 0 | _aExperimental films. | |
| 650 | 0 | _aExploitation films. | |
| 650 | 0 | _aSex in motion pictures. | |
| 650 | 0 | _aViolence in motion pictures. | |
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / Direction & Production. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474427395?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474427395 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474427395/original |
| 942 | _cEB | ||
| 999 |
_c216838 _d216838 |
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