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| 001 | 216863 | ||
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| 005 | 20221214234250.0 | ||
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| 008 | 220629t20222020stk fo d z eng d | ||
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_a9781474428927 _qprint |
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_a9781474428941 _qPDF |
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_a10.1515/9781474428941 _2doi |
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| 035 | _a(DE-B1597)9781474428941 | ||
| 035 | _a(DE-B1597)615061 | ||
| 035 | _a(OCoLC)1306540274 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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_aPER004010 _2bisacsh |
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| 082 | 0 | 4 |
_a791.436164 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBaschiera, Stefano _eautore |
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| 245 | 1 | 0 |
_aFilm and Domestic Space : _bArchitectures, Representations, Dispositif / _cStefano Baschiera, Miriam De Rosa. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2020 | |
| 300 |
_a1 online resource (256 p.) : _b23 B/W illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tList of Figures -- _tNotes on the Contributors -- _tAcknowledgements -- _tIntroduction -- _tContributors -- _t1 Architectures of Ubiquity: The Colonial Revival in Film and Television -- _t2 No Down Payment: Whiteness, Japanese American Masculinity and Architectural Space in the Cinematic Suburbs -- _t3 Resist, Redefine, Appropriate: Negotiating the Domestic Space in Contemporary Female Biopics -- _t4 Liminal Spaces, Lesbian Desire and Veering off Course in Todd Haynes’s Carol -- _t5 A Home on the Road in Claire Denis’s Vendredi soir -- _t6 Acoustic Ectoplasm and the Loss of Home -- _t7 Our House Now: Flat and Reversible Home Spaces in Post-war Film and Television -- _t8 From Myth to Reality: Images of Domestic Space in Post-Soviet Baltic Films -- _t9 No Home Movie: Essay Film, Architecture as Framing and the Non-house -- _t10 At Home with the Nouvelle Vague: Apartment Plots and Domestic Urbanism in Godard’s Une femme est une femme and Varda’s Cléo de 5 à 7 -- _t11 Dwelling the Open: Amos Gitai and the Home of Cinema -- _t12 What Is Cult When It’s At Home? Reframing Cult Cinema in Relation to Domestic Space -- _t13 High-fructose Cinema and the Movie Industrial Complex: Radicalising the Technology of Representation in a Domestic Kind of Way -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aBrings a range of perspectives, theories and approaches to explore the domestic space in cinemaProvides new methodologies for understanding of the concept of domestic space in cinemaFeatures original case studies of films from different nationalities, periods and genresOffers a new understanding of domestic space as a dispositif and a space for performativityAlthough film and media studies have widely engaged with the different aspects of social space, domestic space in film has rarely been studied in its multiple dimensions. Drawing on a broad range of theoretical disciplines – and with case studies of directors such as Chantal Akerman, Agnès Varda, Claire Denis, Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Bêka and Louise Lemoine – this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif. Adopting this innovative two-fold approach that couples representation and dispositif, the home is studied as an architecture, as the place that embodies, defines and perpetuates the family history, as the milieu of gender and generational struggle, as well as the first site where manifestations of power unfold. All chapters contribute to explore, unpack the complexities and expand on the richness encapsulated in the notion of domesticity and dwelling in its fascinating relation to moving images.ContributorsAnna Backman Rogers, University of GothenburgStefano Baschiera, Queen’s University BelfastLukas Brašiškis, New York University Beth Carroll, University of SouthamptonMaud Ceuterick, University of BergenMiriam De Rosa, Coventry UniversityBryan Konefsky, University of New Mexico Adrian Martin, Monash University Nerijus Milerius, Vilnius University Victoria Pastor-González, Regent’s University LondonLaura Rascaroli, University College CorkJohn David Rhodes, University of CambridgeMerrill Schleier, University of the PacificIain Robert Smith, King’s College, London | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | _aDwellings in motion pictures. | |
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / Direction & Production. _2bisacsh |
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| 700 | 1 |
_aBaschiera, Stefano _eautore |
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| 700 | 1 |
_aBrašiškis, Lukas _eautore |
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| 700 | 1 |
_aCarroll, Beth _eautore |
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| 700 | 1 |
_aCeuterick, Maud _eautore |
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| 700 | 1 |
_aDe Rosa, Miriam _eautore |
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| 700 | 1 |
_aGonzález, Victoria _eautore |
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| 700 | 1 |
_aKonefsky, Bryan _eautore |
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| 700 | 1 |
_aMartin, Adrian _eautore |
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| 700 | 1 |
_aMilerius, Nerijus _eautore |
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| 700 | 1 |
_aRascaroli, Laura _eautore |
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| 700 | 1 |
_aRhodes, John _eautore |
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| 700 | 1 |
_aRogers, Anna _eautore |
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| 700 | 1 |
_aRosa, Miriam _eautore |
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| 700 | 1 |
_aSchleier, Merrill _eautore |
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| 700 | 1 |
_aSmith, Iain _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474428941 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474428941 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474428941/original |
| 942 | _cEB | ||
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_c216863 _d216863 |
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