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001			216906
003			IT-RoAPU
005			20221214234252.0
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008			220629t20222019stk fo d z eng d
020			_a9781474431415 _qprint
020			_a9781474431439 _qPDF
024	7		_a10.1515/9781474431439 _2doi
035			_a(DE-B1597)9781474431439
035			_a(DE-B1597)614651
035			_a(OCoLC)1312726864
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aN70 _b.S44 2019eb
072		7	_aART009000 _2bisacsh
082	0	4	_a701 _223
084			_aonline - DeGruyter
100	1		_aBishop, Ryan _eautore
245	1	0	_aSeeing Degree Zero : _bBarthes/Burgin and Political Aesthetics / _cRyan Bishop, Sunil Manghani.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2019
300			_a1 online resource (456 p.) : _b140 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgements -- _tResponse/Abilities of Seeing -- _tReading Barthes, Again -- _tBelledonne -- _tPart I: Degrees and Variations -- _tNeutral Seeing: Saenredam, Barthes, Burgin -- _tI was Sitting in a Room: Cybernetic Aesthetics and Victor Burgin’s Projection Loops -- _tThe Situation of Practice -- _tPart II: Image Degree Zero -- _tPainting, Photography, Projection -- _tThe End of the Frame -- _tCamera as Object and Process -- _tPrairie -- _tPart III: Writerly Readings -- _tPre-occupations: Calling Up Ghosts in A Place to Read and Belledonne -- _tPrairie (Argo) -- _tPhotography as Rhythm: On Prairie -- _tThe Work of Death in Burgin’s Belledonne -- _tNotes on Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aExamines the critical concept ‘zero degree’ through the work of Roland Barthes and Victor BurginIn the fields of literature and the visual arts, 'zero degree' represents a neutral aesthetic situated in response to, and outside of, the dominant cultural order. Taking Roland Barthes’ 1953 book Writing Degree Zero as just one starting point, this volume examines the historical, theoretical and visual impact of the term and draws directly upon the editors’ ongoing collaboration with artist and writer Victor Burgin.The book is composed of key chapters by the editors and Burgin, a series of collaborative texts with Burgin and four commissioned essays concerned with the relationship between Barthes and Burgin in the context of the spectatorship of art. It includes an in-depth dialogue regarding Burgin’s long-term reading of Barthes and a lengthy image-text, offering critical exploration of the Image (in echo of earlier theories of the Text). Also included are translations of two projections works by Burgin, Belledonne and Prairie, which work alongside and inform the collected essays. Overall, the book provides a combined reading of both Barthes and Burgin, which in turn leads to new considerations of visual culture, the spectatorship of art and the political aesthetic.Key FeaturesExplores topics including drawing, painting, image, projection, space, architecture, temporalities, gallery spectatorship, the neutral and cinematic heterotopiaIncludes the first print translations of two major projection works by Victor Burgin, Belledonne and Prairie, and two in-depth interviews with Victor BurginRichly illustrated in colourContributors include Christine Bertin, Domietta Torlasco, James O’Leary and Kristen KreiderContributorsChristine Berthin, University of Paris Nanterre, France.Ryan Bishop, Winchester School of Art, the University of Southampton, UK.Victor Burgin, artist and theorist based in the UK. Sean Cubitt, Goldsmiths, University of London, UK.Gordon Hon, writer, artist and filmmaker, and Winchester School of Art, University of Southampton, UK. Kristin Kreider, Royal Holloway, University of London, UK. Sunil Manghani, Winchester School of Art, University of Southampton, UK.James O’Leary, Bartlett School of Architecture, University College London,UK.Domietta Torlasco, is a critical theorist and filmmaker, and Associate Professor of Italian and Comparative Literature at Northwestern University, Illinois, USA."
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aAesthetics.
650		0	_aArt appreciation.
650		0	_aSemiotics and art.
650		4	_aPhilosophy.
650		7	_aART / Criticism. _2bisacsh
700	1		_aBerthin, Christine _eautore
700	1		_aBishop, Ryan _eautore
700	1		_aBurgin, Victor _eautore
700	1		_aCubitt, Sean _eautore
700	1		_aHon, Gordon _eautore
700	1		_aKreider, Kristen _eautore
700	1		_aManghani, Sunil _eautore
700	1		_aO’Leary, James _eautore
700	1		_aTorlasco, Domietta _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474431439
856	4	0	_uhttps://www.degruyter.com/isbn/9781474431439
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474431439/original
942			_cEB
999			_c216906 _d216906