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| 001 | 216973 | ||
| 003 | IT-RoAPU | ||
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| 008 | 230529t20222021stk fo d z eng d | ||
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_a9781474436311 _qprint |
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_a9781474436335 _qPDF |
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_a10.1515/9781474436335 _2doi |
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| 035 | _a(DE-B1597)9781474436335 | ||
| 035 | _a(DE-B1597)614688 | ||
| 035 | _a(OCoLC)1306539829 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aPER004010 _2bisacsh |
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| 082 | 0 | 4 |
_a791.4309495 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aPapanikolaou, Dimitris _eautore |
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| 245 | 1 | 0 |
_aGreek Weird Wave : _bA Cinema of Biopolitics / _cDimitris Papanikolaou. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2021 | |
| 300 |
_a1 online resource (288 p.) : _b72 B/W illustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tFigures -- _tPreface and Acknowledgements -- _tNote on Transliteration -- _tIntroduction -- _tPart I Process: The Weird Wave of Greek Cinema and the Cinema of Biopolitics -- _tCHAPTER 1 ‘There Are No Words to Describe Our National Pride’: Weird Walks, Awkward Crisiscapes and the Most International Moment of Greek Cinema -- _tCHAPTER 2 Why Biopolitics? -- _tCHAPTER 3 ‘A Cinema About Being Governed’ -- _tPart II Keywords: Realism/Family/Allegory/ Archive/Assemblage -- _tCHAPTER 4 Biopolitical Realism -- _tCHAPTER 5 The Biopolitical Family: (Miss) Violence, Discipline, Allegory, Dogteeth -- _tCHAPTER 6 Archive Trouble: Homeland, National Poetics, Family Albums -- _tCHAPTER 7 Assemblage, Identity, Citizenship: Strella’s Queer Chronotopes -- _tCHAPTER 8 Epilogue -- _tBibliography -- _tFilmography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aExamines political engagement in recent films of the Greek New WaveOffers an up to date account of 21st century Greek filmmakingProvides a theoretically informed analysis that proposes new terms and a fresh viewpointProposes the Greek Weird Wave as a paradigmatic cinema movement, which points to a much larger development of biopolitical realism in World CinemaListen to author Dimitris Papanikolaou discuss the book on the Archipelago podcastWhat relates the early films of Yorgos Lanthimos with Vasilis Kekatos’s 2019 Cannes triumph The Distance Between Us and the Sky? What is the lasting legacy of Panos Koutras’s 2009 trans narrative Strella: A Woman’s Way in today’s gender and sexual identity activism in Greece? What was the role of cultural collectives in the formation of a ‘weird history’ of Greek cinema? And how did cinema and other cultural forms respond to a sense of Crisis and an ever expansive management of life that we have now learnt to call biopolitics? This book uses such questions in order to establish a cinematic and cultural history of Greece during the last difficult decade in an engaged and highly original manner. It focuses on key films from the post-2009 ‘New’ or ‘Weird Wave’ of Greek cinema, proposing the Greek Weird Wave as a paradigmatic cinema movement of biopolitical realism. At once representing, reframing and reimagining the present, the Greek Weird Wave points to a much larger development in World Cinema." | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) | |
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / Direction & Production. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474436335 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474436335 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474436335/original |
| 942 | _cEB | ||
| 999 |
_c216973 _d216973 |
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