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| 001 | 216975 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234254.0 | ||
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| 008 | 220629t20222019stk fo d z eng d | ||
| 010 | _a2019285666 | ||
| 020 | _a9781474436663 _qprint | ||
| 020 | _a9781474436687 _qPDF | ||
| 024 | 7 | _a10.1515/9781474436687 _2doi | |
| 035 | _a(DE-B1597)9781474436687 | ||
| 035 | _a(DE-B1597)614894 | ||
| 035 | _a(OCoLC)1306540344 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 0 | 0 | _aNX512.B72 _bJ64 2019 | 
| 050 | 4 | _aNX512.B72 _bJ64 2019 | |
| 072 | 7 | _aART015020 _2bisacsh | |
| 082 | 0 | 4 | _a811/.54 _223 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aShamma, Yasmine _eautore | |
| 245 | 1 | 0 | _aJoe Brainard’s Art / _cYasmine Shamma. | 
| 264 | 1 | _aEdinburgh : _bEdinburgh University Press, _c[2022] | |
| 264 | 4 | _c©2019 | |
| 300 | _a1 online resource (280 p.) : _b36 colour illustrations | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tAcknowledgments -- _tNotes on Contributors -- _tIntroduction: Joe Brainard’s Collage Aesthetic -- _tPart I: Reflections and Recollections -- _t1 Joe, A Funny Nickname -- _t2 Joe Brainard: Tenderness and Gristle -- _t3 Smoking Joe -- _t4 Artist Statement -- _t5 Vulnerability in Joe Brainard’s Work -- _tPart II: Joe Brainard’s Visions and Visuals -- _t6 Joe Brainard: The Madonna of the Future -- _t7 Boom: Joe Brainard 1961–1963 -- _t8 Joe Brainard’s Still-Life Poetics -- _tPart III: Brainard and Others -- _t9 “Men with a Pair of Scissors”: Joe Brainard and John Ashbery’s Eclecticism -- _t10 The Friendly Way: Crafting Community in Joe Brainard’s Poetry -- _t11 Codes and Wounds: Exposure and Inviolability in the Work of Joe Brainard and Frank Bidart -- _t12 I Wonder: In Dialogue, On Dialogue -- _tPart IV: Brainard’s Books -- _t13 “Fuck Work”: The Reciprocity of Labor and Pleasure in Joe Brainard’s Writing -- _t14 A Queer Poetics of the Normal: Joe Brainard, Clothing, and Girlish Femininity -- _t15 The Memoir of Disappearance: Joe Brainard’s Bolinas Journal -- _tAfterword -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aExamines the multiple angles of the avant-garde poetry and art of Joe Brainard Joe Brainard’s work occupies the literal margins of New York school poetry, while also figuratively influencing its aesthetic margins, shaping the school from both within and without. Brainard was not only an important illustrator and friend to many New York school poets, he was also a respected collage artist, miniature artist, cartoonist, avid letter writer and serious poet. As the canon of avant-garde American poetry warmly embraces his poetry alongside his art, the field of literary criticism is freshly responding with enthusiasm to Brainard’s literary contribution with sophisticated scholarship and first-hand accounts which attend to both his textual and visual nuances. This collection offers the first place for the importance of Brainard’s poetry, collaborations and art to be recognised for their contribution and influence, all in one place.Key FeaturesFeatures series of established and new voices in contemporary American poetrySelected essays all focus on writing but transgress disciplinary lines to also incorporate consideration of Brainard’s visual practice at the same timeSuggests Brainard’s work informingly lined, bound , and shaped the poetics of American avant-gardeShifts critical attention to Brainard’s writing (while also attending to his well known comics and collages)Offers further analysis of Brainard’s art and work as uniquely queer in aesthetic practice | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 | _aArtistic collaboration _zUnited States _y20th century _xHistory. | |
| 650 | 0 | _aArts, American _y20th century _xHistory and criticism. | |
| 650 | 0 | _aCollage, American _y20th century _xHistory and criticism. | |
| 650 | 0 | _aExperimental poetry, American _y20th century _xHistory and criticism. | |
| 650 | 0 | _aNew York school of art. | |
| 650 | 4 | _aLiterary Studies. | |
| 650 | 7 | _aART / American / General. _2bisacsh | |
| 700 | 1 | _aAshbery, John _eautore | |
| 700 | 1 | _aBerrigan, Edmund _eautore | |
| 700 | 1 | _aBrainard, John _eautore | |
| 700 | 1 | _aCotton, Jess _eautore | |
| 700 | 1 | _aCran, Rona _eautore | |
| 700 | 1 | _aEpstein, Andrew _eautore | |
| 700 | 1 | _aFitch, Andy _eautore | |
| 700 | 1 | _aGlavey, Brian _eautore | |
| 700 | 1 | _aKeane, Timothy _eautore | |
| 700 | 1 | _aKernan, Nathan _eautore | |
| 700 | 1 | _aLamm, Kimberly _eautore | |
| 700 | 1 | _aNotley, Alice _eautore | |
| 700 | 1 | _aPadgett, Ron _eautore | |
| 700 | 1 | _aPerloff, Marjorie _eautore | |
| 700 | 1 | _aShamma, Yasmine _eautore | |
| 700 | 1 | _aSmaill, Anna _eautore | |
| 700 | 1 | _aSturm, Nick _eautore | |
| 700 | 1 | _aWaldman, Anne _eautore | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474436687 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474436687 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474436687/original | 
| 942 | _cEB | ||
| 999 | _c216975 _d216975 | ||