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001 216979
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008 220629t20222018stk fo d z eng d
010 _a2018288381
020 _a9781474436854
_qPDF
024 7 _a10.1515/9781474436854
_2doi
035 _a(DE-B1597)9781474436854
035 _a(DE-B1597)619473
035 _a(OCoLC)1312725935
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aGV1786.T33
_bW45 2018
050 4 _aGV1786.T33
_bW45 2018
072 7 _aDRA004000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aWeir, Lucy
_eautore
245 1 0 _aPina Bausch's Dance Theatre :
_bTracing the Evolution of Tanztheater /
_cLucy Weir.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2018
300 _a1 online resource (224 p.) :
_b17 B/W illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aEdinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP
505 0 0 _tFrontmatter --
_tCONTENTS --
_tList of Illustrations --
_tList of Choreographies --
_tAcknowledgements --
_tIntroduction --
_t1. A Bilingual Dancer --
_t2. New Beginnings: The Origins of Bausch’s Tanztheater --
_t3. Unmasked, Unfinished, Unresolved: A Dance Theatre of the Absurd --
_t4. Violent Acts: Traversing the Postwar Landscape --
_t5. Transient Tanztheater: The Co-Production Model --
_t6. ‘I Only Tried To Speak About Us’ --
_tConcluding Thoughts --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aFirst full-scale thematic analysis of Pina Bausch’s Tanztheater, critically evaluating the impact of modernist theatre on her choreographic methodThis book presents a new reading of Pina Bausch’s dance theatre, orienting it within an international legacy of performance practice. The discussion considers not only the influence of German and American modern dance on Bausch’s work but, crucially, interrogates parallels with modernist and postdramatic theatre (including Antonin Artaud, Samuel Beckett, Jerzy Grotowski, and Robert Wilson), the influence of which has been largely neglected in existing studies of her oeuvre.Pina Bausch’s Dance Theatre provides a wide-ranging study of Bausch’s aesthetic and methods of practice, with case studies ranging from the beginning of her career to her final choreographies.Key FeaturesThe first full-scale study interrogating the relationship between Bausch’s Tanztheater and modernist theatre practice, structured around a chronological framework of case study choreographiesA new theorisation of the development of Bausch’s oeuvre, locating her approach in a broader context of intercultural artistic exchange in the post-WWII periodDraws on literary and theatre theory to form an interdisciplinary methodology for understanding and interrogating Bausch’s oeuvreBased on extensive archival research and a specialised knowledge of the evolution of modern dance
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 4 _aLiterary Studies.
650 7 _aDRAMA / European / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781474436854
856 4 0 _uhttps://www.degruyter.com/isbn/9781474436854
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781474436854/original
942 _cEB
999 _c216979
_d216979