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001			217011
003			IT-RoAPU
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008			220629t20222019stk fo d z eng d
020			_a9781474439459 _qprint
020			_a9781474439473 _qPDF
024	7		_a10.1515/9781474439473 _2doi
035			_a(DE-B1597)9781474439473
035			_a(DE-B1597)615553
035			_a(OCoLC)1312725936
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT003000 _2bisacsh
082	0	4	_a823/.912
084			_aonline - DeGruyter
100	1		_aMourant, Chris _eautore
245	1	0	_aKatherine Mansfield and Periodical Culture / _cChris Mourant.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2019
300			_a1 online resource (312 p.) : _b27 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tList of Figures -- _tAcknowledgements -- _tIntroduction: ‘The famous New Zealand Mag.-story writer’ -- _t1 The New Age: Gender, Nation and Empire -- _t2 Rhythm: Parody and (Post)Colonial Modernism -- _t3 The Athenaeum: ‘Wanted, a New Word’ (World) -- _t4 The Adelphi: Katherine Mansfield’s Afterlives -- _tConclusion -- _tAppendices I Katherine Mansfield’s Periodical Contributions -- _tAppendices II Katherine Mansfield, ‘A Little Episode’ (1909) -- _tAppendices III Katherine Mansfield, ‘Bites from the Apple’ (1911) -- _tSelect Bibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aExplores Katherine Mansfield’s engagement in the periodical culture of the early twentieth centuryKatherine Mansfield’s contemporaries knew her primarily as a contributor to magazines and periodicals. In 1922, for instance, Wyndham Lewis described her as ‘the famous New Zealand Mag.-story writer’. This book provides the first in-depth study of Mansfield’s engagement in periodical culture, examining her contributions to the political weekly The New Age, the avant-garde little magazine Rhythm and the literary journal The Athenaeum. Reading these writings against the editorial strategies and professional cultures of each periodical, Chris Mourant situates Mansfield’s work within networks of production and uncovers the many ways in which she engaged with the writings of others and responded to the political, aesthetic and social contexts of early twentieth-century periodical culture. By examining Mansfield’s ambivalent position as a colonial woman writer working both within and against the London literary establishment, in particular, this book provides a new perspective on Mansfield as a ‘colonial-metropolitan modernist’ and proto-postcolonial writer.Key FeaturesForegrounds the original material contexts in which Mansfield produced the majority of her work, emphasising a dialogic or ‘conversational’ model for modernismInterrogates Mansfield’s ambivalent self-positioning within English literary circles as a ‘colonial-metropolitan modernist’ and ‘outsider’Integrates ideas of the recent ‘transnational turn’ across literary studies into the field of periodical scholarshipExamines new archival findings
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aAuthorship _xHistory _y20th century.
650		0	_aPeriodicals _xPublishing _xHistory _y20th century.
650		4	_aLiterary Studies.
650		7	_aLITERARY CRITICISM / Feminist. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474439473
856	4	0	_uhttps://www.degruyter.com/isbn/9781474439473
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474439473/original
942			_cEB
999			_c217011 _d217011