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001			217027
003			IT-RoAPU
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008			241120t20222020stk fo d z eng d
020			_a9781474440226 _qprint
020			_a9781474440240 _qPDF
035			_a(DE-B1597)9781474440240
035			_a(DE-B1597)615707
035			_a(OCoLC)1312726497
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aMUS000000 _2bisacsh
082	0	4	_a781.17
084			_aonline - DeGruyter
100	1		_aCachopo, João Pedro _eautore
245	1	0	_aRancière and Music / _cChris Stover, João Pedro Cachopo, Patrick Nickleson.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c2020
300			_a1 online resource (416 p.) : _b7 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aCritical Connections : CRCO
505	0	0	_tFrontmatter -- _tContents -- _tExamples -- _tAcknowledgements -- _tNotes on Contributors -- _tIntroduction -- _tPart I Music and Noise -- _t1. Musique concrète and the Aesthetic Regime of Art -- _t2. ‘Rip it up and start again’: Reconfigurations of the Audible under the Aesthetic Regime of the Arts -- _t3. A Lesson in Low Music -- _tPart II: Politics of History -- _t4. Wandering with Rancière: Sound and Structure under the Aesthetic Regime -- _t5. Staging Music in the Aesthetic Regime of Art: Rancière, Berlioz and the Bells of Harold en Italie -- _t6. Rancière on Music, Rancière’s Non-music -- _t7. Coloured Opera and the Violence of Dis-identification -- _tPart III: Politics of Interaction -- _t8. Musical Politics in the Cuban Police Order -- _t9. Rancière and Improvisation: Reading Contingency in Music and Politics -- _t10. Rancière’s Affective Impropriety -- _tPart IV: Encounters and Challenges -- _t11. Rancière, Resistance and the Problem of Commemorative Art: Music Displacing Violence Displacing Music -- _t12. Stain -- _t13. On Shoemakers and Related Matters: Rancière and Badiou on Richard Wagner -- _t14. Roll Over the Musical Boundaries: A Few Milestones for the Implementation of an Equal Method in Musicology -- _tAfterword: A Distant Sound -- _tWorks Cited -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aA rich exploration of the meaning and consequences of Jacques Rancière’s work in relation to music and the aesthetic15 essays by scholars from a variety of music and sound-related fieldsWith an Afterword by Rancière, newly written specially for this volume, on the role of music in his thought and writingConsiders many aspects of Rancière’s thought, conceived through musical lensesDevelops of key Rancièrian concepts including the distribution of the sensible, the aesthetic regime of art, politics and the police, speech and noise, disagreement, equality and moreThe place of music in Rancière’s thought has long been underestimated or unrecognised. Rancière and Music responds to this absence with a collection of 15 essays by scholars from a variety of music- and sound-related fields, including an Afterword by Rancière on the role of music in his thought and writing. The essays engage closely with Rancière’s existing commentary on music and its relationship to other arts in the aesthetic regime, revealed through detailed case studies around music, sound and listening.Rancière’s thought is explored along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music. Rancière’s work is also set creatively in dialogue with other key contemporary thinkers including Adorno, Althusser, Badiou and Deleuze.ContributorsLoïc Bertrand, Université Paris Diderot, France. Kjetil Klette Bøhler, Oslo Metropolitan University, Norway.João Pedro Cachopo, Universidade Nova de Lisboa, Portugal, and University of Chicago, USA. Katharina Clausius, Université de Montréal, Canada.Sarah Collins, University of Western Australia. Murray Dineen, University of Ottawa, Canada.Dan DiPiero, Miami University of Ohio, USA.William Fourie, Stellenbosch University, South Africa.Daniel Frappier, Université du Québec à Montréal, Canada.Martin Kaltenecker, Université Paris Diderot, France.Patrick Nickleson, Queen's University at Kingston, Ontario, Canada.Jacques Rancière, University of Paris VIII, France.Chris Stover, University of Oslo, Norway.Danick Trottier, Université du Québec à Montréal, Canada.Carina Venter, Stellenbosch University, South Africa.Erik Vogt, Trinity College, CT, USA and University of Vienna, Austria.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024)
650		4	_aPhilosophy.
650		7	_aMUSIC / General. _2bisacsh
700	1		_aBertrand, Loïc _eautore
700	1		_aCachopo, João Pedro _eautore
700	1		_aClausius, Katharina _eautore
700	1		_aCollins, Sarah _eautore
700	1		_aDiPiero, Dan _eautore
700	1		_aDineen, Murray _eautore
700	1		_aFourie, William _eautore
700	1		_aFrappier, Daniel _eautore
700	1		_aKaltenecker, Martin _eautore
700	1		_aKlette Bøhler, Kjetil _eautore
700	1		_aNickleson, Patrick _eautore
700	1		_aRancière, Jacques _eautore
700	1		_aStover, Chris _eautore
700	1		_aTrottier, Danick _eautore
700	1		_aVenter, Carina _eautore
700	1		_aVogt, Erik M. _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://www.degruyter.com/isbn/9781474440240
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474440240/original
942			_cEB
999			_c217027 _d217027