000 03876nam a22004935i 4500
001 217046
003 IT-RoAPU
005 20221214234257.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220629t20222020stk fo d z eng d
020 _a9781474441346
_qprint
020 _a9781474441360
_qPDF
024 7 _a10.1515/9781474441360
_2doi
035 _a(DE-B1597)9781474441360
035 _a(DE-B1597)614591
035 _a(OCoLC)1306539691
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004000
_2bisacsh
082 0 4 _a791.43612
084 _aonline - DeGruyter
100 1 _aAitken, Ian
_eautore
245 1 0 _aCinematic Realism :
_bLukács, Kracauer and Theories of the Filmic Real /
_cIan Aitken.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2020
300 _a1 online resource (320 p.) :
_b1 B/W illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tPreface --
_tIntroduction: Representation, Perception and Cinematic Realism --
_t1. Bergson, the Image and Time --
_t2. Introduction to Lukács: Essence, Phenomena and Temporality --
_t3. ‘On the Phenomenology of the Creative Process’ (Lukács 1914) --
_t4. ‘Thoughts towards an Aesthetic of the Cinema’ (Lukács 1913) --
_t5. The Specificity of the Aesthetic (Lukács 1963) --
_t6. Husserl, Epochē and Lebenswelt --
_t7. Introduction to Kracauer: Abstraction, Redemption and Modernity --
_t8. ‘Photography’ (Kracauer 1927) --
_t9. ‘Introduction: Photography’ and ‘Basic Concepts’, from Theory of Film (Kracauer 1960) --
_t10. ‘The Historical Approach’ and ‘The Historian’s Journey’, from History: The Last Things Before the Last (Kracauer 1968) --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aAssesses classical and contemporary theories of cinematic realismExplores classical and contemporary theories of cinematic realism to assess their overall key concepts and intellectual configurationsExplores classical theories of cinematic realism more deeply through an analysis of Lukacs/Bergson/time and Kracauer/Husserl/SpaceOffers some conclusions on what the central key concepts and intellectual configuration of cinematic realism are; and on what consequences flow from thisThe issue of cinematic realism is important because the issue of realism, of the relationship between representation and reality, is important. If some forms of representation are closer to reality – however defined – than others, then this may also be the case with forms of filmic representation. In this book, Ian Aitken links the issue of cinematic realism to important questions concerning human experience, analysing the close similarity between the film image and visual perception, and how different theories of realism have sought to uncover the way film’s relation to reality can be understood.Focusing on the writings of Georg Lukács and Siegfried Kracauer, Cinematic Realism is a comprehensive exploration of cinematic realist theory.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 4 _aFilm, Media & Cultural Studies.
650 7 _aPERFORMING ARTS / Film & Video / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781474441360
856 4 0 _uhttps://www.degruyter.com/isbn/9781474441360
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781474441360/original
942 _cEB
999 _c217046
_d217046