000			05914nam a22007815i 4500
001			217070
003			IT-RoAPU
005			20221214234258.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220629t20222020stk fo d z eng d
020			_a9781474442640 _qprint
020			_a9781474442657 _qPDF
024	7		_a10.1515/9781474442657 _2doi
035			_a(DE-B1597)9781474442657
035			_a(DE-B1597)616776
035			_a(OCoLC)1306542026
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPER004010 _2bisacsh
084			_aonline - DeGruyter
100	1		_aLennard, Dominic _eautore
245	1	4	_aThe Other Hollywood Renaissance / _cMurray Pomerance, Dominic Lennard, R. Barton Palmer.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2020
300			_a1 online resource (416 p.) : _b93 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aTraditions in American Cinema : TAC
505	0	0	_tFrontmatter -- _tCONTENTS -- _tFIGURES -- _tNOTES ON THE CONTRIBUTORS -- _tTHE NEW PICTURE SHOW: AN INTRODUCTION -- _t1. HAL ASHBY, GENTLE GIANT -- _t2. REMAKING GENDER IN THE EARLY FILMS OF PETER BOGDANOVICH -- _t3. IN EXTREMIS: JOHN BOORMAN’S CINEMA OF DISLOCATION -- _t4. JOHN CASSAVETES: IN YOUR FACE AND OFF THE GRID -- _t5. “LET ME LOVE YOU”: AMBIGUOUS MASCULINITY IN MICHAEL CIMINO’S MELODRAMAS -- _t6. DE PALMA’S EMBATTLED RED PERIOD: HITCHCOCK, GENDER, GENRE, AND POSTMODERNISM -- _t7. ESCAPE FROM ESCAPISM: BOB FOSSE AND THE HOLLYWOOD RENAISSANCE -- _t8. THE LITTLE DEATHS OF JOHN FRANKENHEIMER -- _t9. WILLIAM FRIEDKIN: FRAYED CONNECTIONS -- _t10. SIDNEY LUMET AND THE NEW HOLLYWOOD -- _t11. TERRENCE MALICK’S EMERGENT LYRICISM IN BADLANDS AND DAYS OF HEAVEN -- _t12. ELAINE MAY: SUBVERTING MACHISMO “STEP BY TINY STEP” -- _t13. PAUL MAZURSKY: THE NEW HOLLYWOOD’S FORGOTTEN MAN -- _t14. NEW HOLLYWOOD CROSSOVER: JOAN MICKLIN SILVER AND THE INDIE-STUDIO DIVIDE -- _t15. MIKE NICHOLS AND THE HOLLYWOOD RENAISSANCE: A CINEMA OF CULTURAL INVESTIGATION -- _t16. “THERE WILL BE NO QUESTIONS”: 1970S AMERICAN CINEMA AS PARALLAX IN ALAN J. PAKULA’S “PARANOIA TRILOGY” -- _t17. GENRES OF THE MODERN MYTHIC IN THE FILMS OF SAM PECKINPAH -- _t18. BOB RAFELSON’S AMBIVALENT AUTHORSHIP -- _t19. WE’VE NEVER DANCED: ALAN RUDOLPH’S WELCOME TO L.A. AND REMEMBER MY NAME -- _t20. JERRY SCHATZBERG’S DOWNFALL PORTRAITS: HIS CINEMA OF LONELINESS -- _t21. INSIDE JOHN SCHLESINGER OUTSIDE -- _t22. FIRE AND ICE: PAUL SCHRADER -- _t23. PETER YATES: ON LOCATION IN THE NEW HOLLYWOOD -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aProvides a revisionist account of the Hollywood RenaissanceProvides in-depth analysis of 24 directors working within this periodChallenges the traditional canon of Hollywood Renaissance auteursReassesses American art cinema of the 1970sIn the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era’s most innovative and artistically successful releases.With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing — a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650		0	_aMotion pictures-United States-History.
650		4	_aFilm, Media & Cultural Studies.
650		7	_aPERFORMING ARTS / Film & Video / Direction & Production. _2bisacsh
700	1		_aAustin-Smith, Brenda _eautore
700	1		_aBadley, Linda _eautore
700	1		_aBell-Metereau, Rebecca _eautore
700	1		_aBingham, Dennis _eautore
700	1		_aDesser, David _eautore
700	1		_aFriedman, Lester D. _eautore
700	1		_aHark, Ina Rae _eautore
700	1		_aKirshner, Jonathan _eautore
700	1		_aLennard, Dominic _eautore
700	1		_aLongo, Vincent _eautore
700	1		_aMcFarland, Douglas _eautore
700	1		_aMcSweeney, Terence _eautore
700	1		_aPalmer, R. Barton _eautore
700	1		_aPomerance, Murray _eautore
700	1		_aRoche, Nancy McGuire _eautore
700	1		_aRybin, Steven _eautore
700	1		_aSacco, Daniel _eautore
700	1		_aSmukler, Maya Montañez _eautore
700	1		_aStevens, Kyle _eautore
700	1		_aTsay, I-Lien _eautore
700	1		_aVarndell, Daniel _eautore
700	1		_aVerevis, Constantine _eautore
700	1		_aWarner, Rick _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474442657
856	4	0	_uhttps://www.degruyter.com/isbn/9781474442657
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474442657/original
942			_cEB
999			_c217070 _d217070