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| 008 | 230127t20222020stk fo d z eng d | ||
| 020 | _a9781474452076 _qprint | ||
| 020 | _a9781474452090 _qPDF | ||
| 024 | 7 | _a10.1515/9781474452090 _2doi | |
| 035 | _a(DE-B1597)9781474452090 | ||
| 035 | _a(DE-B1597)615216 | ||
| 035 | _a(OCoLC)1306538640 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 072 | 7 | _aPER004020 _2bisacsh | |
| 082 | 0 | 4 | _a820.90091 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aBrickman, Barbara Jane _eautore | |
| 245 | 1 | 0 | _aLove Across the Atlantic : _bUS-UK Romance in Popular Culture / _cTheodore Louis Trost, Barbara Jane Brickman, Deborah Jermyn. | 
| 264 | 1 | _aEdinburgh : _bEdinburgh University Press, _c[2022] | |
| 264 | 4 | _c©2020 | |
| 300 | _a1 online resource (312 p.) : _b15 B/W illustrations | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tFigures -- _tAcknowledgements -- _tThe Contributors -- _tIntroduction: Still Crazy After All These Years? The ‘Special Relationship’ in Popular Culture -- _tPart One ‘[Not] Just a Girl, Standing in Front of a Boy . . . ’: Feminism, Women and Transatlantic Romance -- _t1 Atlantic Liners, It Girls and Old Europe in Elinor Glyn’s Romantic Adventures -- _t2 ‘World Turned Upside Down’: The Role of Revolutions in Maya Rodale’s Regency-set Romances -- _t3 Bridget Jones’s Special Relationship: No Filth, Please, We’re Brexiteers -- _t4 Sharon Horgan, Postfeminism and the Transatlantic Psycho-politics of ‘Woemantic’ Comedy -- _tPart Two Love Beyond Borders: The Global City, Cosmopolitanism and Transatlantic Space -- _t5 ‘British People Are Awful’: Gentrification, Queerness and Race in the US–UK Romances of Looking and You’re the Worst -- _t6 Catastrophe: Transatlantic Love in East London -- _t7 On the Fragility of Love Across the Atlantic: Cosmopolitanism and Transatlantic Romance in Drake Doremus’s Like Crazy (2011) -- _t8 The Mise-en-scène of Romance and Transatlantic Desire: Genre, Space and Place in Nancy Meyers’s The Parent Trap and The Holiday -- _tPart Three Two Lovers Divided by a Common Language: ‘Britishness’, ‘Americanness’ and Identity -- _t9 ‘American, a Slut, and Out of Your League’: Working Title’s Equivocal Relationship with Americanness -- _t10 ‘It’s the American Dream’: British Audiences and the Contemporary Hollywood Romcom -- _t11 Business-like Lords and Gentlemanly Businessmen: The Romance Hero in Lisa Kleypas’s Wallflowers Series -- _t12 Imagine: The Beatles, John Lennon and Love Across Borders -- _tPart Four Political Coupledom: Flirting with the Special Relationship -- _t13 ‘Political Soulmates’: The ‘Special Relationship’ of Reagan and Thatcher and the Powerful Chemistry of Celebrity Coupledom -- _t14 ‘I Will Be with You, Whatever’: Bush and Blair’s Baghdadi Bromance -- _t15 Holding Hands as the Ship Sinks: Trump and May’s Special Relationship -- _t16 ‘Prince Harry Has Gone Over to the Dark Side’: Race, Royalty and US–UK Romance in Brexit Britain -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aAn interdisciplinary exploration of the enduring, and often fraught, cultural fascination surrounding British-American romanceThe first scholarly collection to consider the diverse ways in which US-UK romance, framed here through the lens of ‘the special relationship’, has been represented across key sites in a range of popular mediaLooks at both historical and contemporary case-studies drawn from across film, television, music, literature, news and politics from the last centuryConsiders pressing questions of identity and desire for subjects impacted by globalisation, cosmopolitanism, transnational relations and neoliberal political and economic policiesWinston Churchill famously described the political alliance between the US and UK as a ‘special relationship’, but throughout the cultural history of these two countries there have existed transatlantic ‘special relationships’ of another kind – affairs between British and American citizens who have fallen in love, with one another but often too with the idea(l) of that other place across the ocean. From romantic novelist Elinor Glyn in the 1920s to Prince Harry and Meghan Markle today, this collection examines some of the history, contemporary manifestations and enduring appeal of US-UK romance across popular culture. Looking at both historical and contemporary case-studies, drawn from across film, television, music, literature, news and politics, this is a timely intervention into the popular romantic discourse of US-UK relations, at a critical and transitional moment in the ongoing viability of the special relationship.ContributorsJay Bamber, independent scholar Caroline Bainbridge, University of Roehampton Barbara Jane Brickman, University of AlabamaWilliam Brown, University of RoehamptonShelley Cobb, University of Southampton Neil Ewen, University of WinchesterAlice Guilluy, London Film AcademyHannah Hamad, Cardiff UniversityDeborah Jermyn, University of RoehamptonVeera Mäkelä, University of HelsinkiInmaculada Pérez-Casal, Universidade de Santiago de Compostela Karen Randell, Nottingham Trent UniversityManuela Ruiz, University of ZaragozaMartha Shearer, King's College LondonFrances Smith, University of Sussex Theodore Louis Trost, University of AlabamaAlexis Weedon, University of BedfordshireNathalie Weidhase, Birmingham City University | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 | _aMan-woman relationships in literature. | |
| 650 | 0 | _aMan-woman relationships in motion pictures. | |
| 650 | 0 | _aMan-woman relationships _zEngland. | |
| 650 | 0 | _aMan-woman relationships _zUnited States. | |
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 | _aPERFORMING ARTS / Film & Video / Guides & Reviews. _2bisacsh | |
| 700 | 1 | _aBainbridge, Caroline _eautore | |
| 700 | 1 | _aBamber, Jay _eautore | |
| 700 | 1 | _aBrickman, Barbara Jane _eautore | |
| 700 | 1 | _aBrown, William _eautore | |
| 700 | 1 | _aCobb, Shelley _eautore | |
| 700 | 1 | _aEwen, Neil _eautore | |
| 700 | 1 | _aGuilluy, Alice _eautore | |
| 700 | 1 | _aHamad, Hannah _eautore | |
| 700 | 1 | _aJermyn, Deborah _eautore | |
| 700 | 1 | _aMäkelä, Veera _eautore | |
| 700 | 1 | _aPérez-Casal, Inmaculada _eautore | |
| 700 | 1 | _aRandell, Karen _eautore | |
| 700 | 1 | _aRuiz, Manuela _eautore | |
| 700 | 1 | _aShearer, Martha _eautore | |
| 700 | 1 | _aSmith, Frances _eautore | |
| 700 | 1 | _aTrost, Theodore Louis _eautore | |
| 700 | 1 | _aWeedon, Alexis _eautore | |
| 700 | 1 | _aWeidhase, Nathalie _eautore | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474452090 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474452090 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474452090/original | 
| 942 | _cEB | ||
| 999 | _c217220 _d217220 | ||