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| 001 | 217225 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234304.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 220302t20222019stk fo d z eng d | ||
| 020 |
_a9781474452724 _qprint |
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| 020 |
_a9781474452731 _qPDF |
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| 024 | 7 |
_a10.1515/9781474452731 _2doi |
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| 035 | _a(DE-B1597)9781474452731 | ||
| 035 | _a(DE-B1597)614426 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPR646 _b.K37 2019 |
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| 072 | 7 |
_aLIT004120 _2bisacsh |
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| 082 | 0 | 4 |
_a822.3093561 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aKarim-Cooper, Farah _eautore |
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| 245 | 1 | 0 |
_aCosmetics in Shakespearean and Renaissance Drama / _cFarah Karim-Cooper. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2019 | |
| 300 |
_a1 online resource (232 p.) : _b17 B/W illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgements -- _tChapter 1 Defining Beauty in Renaissance Culture -- _tChapter 2 Early Modern Cosmetic Culture -- _tChapter 3 Cosmetic Restoration in Jacobean Tragedy -- _tChapter 4 John Webster and the Culture of Cosmetics -- _tChapter 5 Jonson's Cosmetic Ritual -- _tChapter 6 Cosmetics and Poetics in Shakespearean Comedy -- _tChapter 7 'Deceived with ornament': Shakespeare's Venice -- _tChapter 8 'Flattering Unction': Cosmetics in Hamlet -- _tEpilogue -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aRevised and updated critical survey of the field of cosmetics and adornment studiesThis revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty.Key FeaturesOffers a new analysis of the construction of whiteness as a racial signifierProvides an original insight into women's cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make up in Shakespeare's timeIncludes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | _aBeauty, Personal, in literature. | |
| 650 | 0 |
_aCosmetics _xHistory. |
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| 650 | 0 |
_aEnglish drama _y17th century _xHistory and criticism. |
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| 650 | 0 |
_aEnglish drama _yEarly modern and Elizabethan, 1500-1600 _xHistory and criticism. |
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| 650 | 4 | _aLiterary Studies. | |
| 650 | 7 |
_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474452731 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474452731 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474452731/original |
| 942 | _cEB | ||
| 999 |
_c217225 _d217225 |
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