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_a9781474456784 _qPDF |
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_a10.1515/9781474456784 _2doi |
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| 035 | _a(DE-B1597)9781474456784 | ||
| 035 | _a(DE-B1597)615028 | ||
| 035 | _a(OCoLC)1306538107 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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_aPN1995.9.E44 _bM54 2021 |
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_aPER004010 _2bisacsh |
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| 082 | 0 | 4 |
_a791.436526912 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aWallenbrock, Nicole Beth _eautore |
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| 245 | 1 | 0 |
_aMigrants' Perspectives, Migrants in Perspective : _bWorld Cinema / _cNicole Beth Wallenbrock, Frank Jacob. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2021 | |
| 300 |
_a1 online resource (272 p.) : _b20 colour illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tCONTENTS -- _tFIGURES -- _t1. MIGRANTS’ PERSPECTIVES, MIGRANTS IN PERSPECTIVE: WORLD CINEMA, AN INTRODUCTION -- _tPART I MIGRANTS’ PERSPECTIVE -- _t2. MIGRANTS AND REFUGEES IN MOVING IMAGE CONTEMPORARY ART: GHAZEL’S “HOME (STORIES)” (2008) AND BOUCHRA KHALILI’S “THE MAPPING JOURNEY PROJECT” (2008–11) -- _t3. FORCED MIGRATION AND FANTASIES OF RETURN IN PALESTINIAN CINEMA: WHEN I SAW YOU (ANNEMARIE JACIR, 2012) AND GATE OF THE SUN (YOUSRY NASRALLAH, 2003) -- _t4. DISPLACEMENT AND THE VICISSITUDES OF PAN-ARABISM: BETWEEN THE DUPES (TEWFIK SALEH, 1972) AND IN THE LAST DAYS OF THE CITY (TAMER EL SAID, 2016) -- _t5. STILL/MOVING: AN ANALYSIS OF RECENT FILMS ABOUT TRANSNATIONAL MIGRATION FROM CENTRAL AMERICA TO THE USA -- _t6. JAPANESE IMMIGRANT IDENTITIES ON THE BRAZILIAN SCREEN: GAIJIN: OS CAMINHOS DA LIBERDADE (TIZUKA YAMASAKI, 1983) AND CORAÇÕES SUJOS (VICENTE AMORIM, 2011) -- _tPART II MIGRANTS IN PERSPECTIVE -- _t7. COMMUNITARIAN VERSUS HUMANITARIAN FORCES IN THE DARDENNE BROTHERS’ LA PROMESSE (1996) AND LE SILENCE DE LORNA (2008) -- _t8. THIS IS NOT PARADISE AND THE JOURNEY WAS NOT WORTH IT: GLOBALIZATION, FINANCIAL CRISIS, AND THE PORTRAYAL OF THE SUB-SAHARAN IMMIGRANT IN TWO SPANISH FILMS -- _t9. MOBILITY CONSTRAINED AND ENABLED BY GENDER: THE IN-TRANSIT AFRICAINE OF HOPE (BORIS LOJKINE, 2014) -- _t10. UN/DOCUMENTED MIGRATION IN “BORDERLAND SCHENGEN” -- _t11. CIRCULATING IMAGES OF DEATH: FESTIVAL FILMS AND THE SYRIAN REFUGEE CRISIS -- _tTHE CONTRIBUTORS -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aAnalyses how migrants are portrayed in film from different viewpointsDeciphers the semiotics of migration and its representation in cinemaAnalyses films which depict migration in Africa, the Americas, Europe, and the Middle EastExplores films that transgress mainstream popular currents and instead participate in alternative networks, such as internet, festivals, museums, and art-house circuitsPresenting the depiction of migration through a variety of cinematic outlets, this volume explores film’s depiction of human displacement in different geographic circumstances and probes the reasons why cinema so frequently evokes a stereotype of in-transit people. Techniques of affect and distance are revealed in the contributors’ close film studies of wide-ranging matter which include works by the Dardenne brothers, transnational video artists Ghazel and Bouchra Khalili, and studies of Syrian films at Western festivals.Migrants’ Perspective, Migrants in Perspective: World Cinema deciphers the semiotics of migration and its representation in cinema, exploring both the complications of shooting a migrant subject, and the challenges of including the migrants’ point of view. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) | |
| 650 | 0 | _aImmigrants in motion pictures. | |
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / Direction & Production. _2bisacsh |
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| 700 | 1 |
_aBaroody, Michelle _eautore |
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| 700 | 1 |
_aBehiery, Valerie _eautore |
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| 700 | 1 |
_aBrown, William _eautore |
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| 700 | 1 |
_aGhawanmeh, Mohannad _eautore |
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| 700 | 1 |
_aHays, Colleen _eautore |
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| 700 | 1 |
_aJacob, Frank _eautore |
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| 700 | 1 |
_aKühnemund, Jan _eautore |
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| 700 | 1 |
_aPaul, Drew _eautore |
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| 700 | 1 |
_aSuarez, Marta F. _eautore |
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| 700 | 1 |
_aWallenbrock, Nicole B. _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474456784 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474456784 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474456784/original |
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