| 000 | 03477nam a22005175i 4500 | ||
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| 001 | 217310 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501182149.0 | ||
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| 008 | 230127t20222020stk fo d z eng d | ||
| 020 |
_a9781474458191 _qprint |
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| 020 |
_a9781474458214 _qPDF |
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| 024 | 7 |
_a10.1515/9781474458214 _2doi |
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| 035 | _a(DE-B1597)9781474458214 | ||
| 035 | _a(DE-B1597)616712 | ||
| 035 | _a(OCoLC)1306540103 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT004120 _2bisacsh |
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| 082 | 0 | 4 |
_a820.936 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMurray, Rachel _eautore |
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| 245 | 1 | 4 |
_aThe Modernist Exoskeleton : _bInsects, War, Literary Form / _cRachel Murray. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2020 | |
| 300 |
_a1 online resource (224 p.) : _b14 B/W illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aEdinburgh Critical Studies in Modernist Culture : ECCSMC | |
| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tFIGURES -- _tACKNOWLEDGEMENTS -- _tSERIES EDITORS’ PREFACE -- _tABBREVIATIONS -- _tINTRODUCTION -- _t1 SHELL BURSTS: WYNDHAM LEWIS -- _t2 FORMICATION: D. H. LAWRENCE -- _t3 COCOON STATES: H.D. -- _t4 LARVAL FORMS: SAMUEL BECKETT -- _tCONCLUSION: ‘THINGS THAT WON’T QUITE FORMULATE' -- _tBIBLIOGRAPHY -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aArgues for the importance of insects to modernism’s formal innovationsUses the idea of the insect as a key to modernist writers’ engagement with questions of politics, psychology, life, and literary formProvides in-depth analysis of lesser-known modernist narratives, such as H.D.’s Asphodel and Lewis’s Snooty Baronet, as well as new readings of canonical texts – including D. H. Lawrence’s Lady Chatterley’s Lover and Samuel Beckett’s TrilogyExplores the influence of popular scientific writing on modernist aestheticsReveals the attentiveness of modernist writers to nonhuman life, thus forging new lines of connection between modernism and literary animal studiesFocusing on the writing of Wyndham Lewis, D. H. Lawrence, H.D. and Samuel Beckett, this book uncovers a shared fascination with the aesthetic possibilities of the insect body – its adaptive powers, distinct stages of growth and swarming formations. Through a series of close readings, it proposes that the figure of the exoskeleton, which functions both as a protective outer layer and as a site of encounter, can enhance our understanding of modernism’s engagement with nonhuman life, as well as its questioning of the boundaries of the human. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 | _aInsects in literature. | |
| 650 | 4 | _aLiterary Studies. | |
| 650 | 7 |
_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474458214 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474458214 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474458214/original |
| 942 | _cEB | ||
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_c217310 _d217310 |
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