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| 001 | 217341 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150736.0 | ||
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| 008 | 240625t20222021stk fo d z eng d | ||
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_a9781474460644 _qprint |
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_a9781474460668 _qPDF |
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| 024 | 7 |
_a10.1515/9781474460668 _2doi |
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| 035 | _a(DE-B1597)9781474460668 | ||
| 035 | _a(DE-B1597)615797 | ||
| 035 | _a(OCoLC)1306541083 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aPER004000 _2bisacsh |
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| 082 | 0 | 4 |
_a791.436 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aCuelenaere, Eduard _eautore |
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| 245 | 1 | 0 |
_aEuropean Film Remakes / _cStijn Joye, Eduard Cuelenaere, Gertjan Willems. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2021 | |
| 300 |
_a1 online resource (272 p.) : _b3 B/W illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 | _aScreen Serialities : SCSE | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tFigures -- _tNotes on Contributors -- _tAcknowledgements -- _tPreface: Farewell, Hollywood -- _tIntroduction: Film Remakes in the Context of European Cinema -- _tPart I Conceptual Perspectives: Delineating and Pushing the Boundaries of Remake Studies -- _t1 The Film Remake as Prism: Towards a Model of Systematic Textual Analysis -- _t2 The ‘Secret Remake’: A European Take on the Traditional Remake? -- _t3 From ‘Mini-Remake’ to Open-Ended Coda: How to Make a ‘Proper’ Homage -- _t4 Rainer Werner Fassbinder’s Berlin Alexanderplatz (1980) as Remake? -- _t5 Remakesploitation: Exploitation Film Remakes and the Transnational Giallo -- _tPart II Historical Perspectives: Continuity and Change -- _t6 Re-forming La Maternelle: Socio-Cultural Continuity and the Remake -- _t7 Screening Transformation Processes: Post-War Remakes of Nazi-Era Films -- _t8 The Colour Remakes of Swedish Classics in the 1950s: Production, Promotion and Critical Reception in the Context of Technological Innovation -- _tPart III Contemporary Perspectives: European Film Remakes in the New Millennium -- _t9 Remakes à la polonaise: From National Re-Adaptations to Internationally Inspired Rom-Coms -- _t10 Nostalgic Mediations of the Soviet Past in Nikolai Lebedev’s Remake The Crew (2016) -- _t11 Mistaken Identities: Millennial Remakes, Post-Socialist Transformation and Hungarian Popular Cinema -- _t12 Refashioning the Remake: A Bigger Splash -- _tPart IV Industrial Perspectives: Practices of Production and Circulation -- _t13 Remake and Decline in Scottish Cinema: Whisky Galore! 1949 and 2016 -- _t14 ‘Remakable’ Directors: The Contemporary Spanish Media Industry and Popular Discourses on Remakes and National Authorship -- _t15 Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aCombines historical and contemporary approaches to film remakes in EuropeInvestigates, next to the textual, socio-cultural and political dimensions, the often neglected industrial, financial and production-related dynamics of European remake practicesProvides a mix of different methodologies, ranging from comparative textual analysis to production, promotion, and reception analysisTakes into account both popular and art cinema remakesExamines European film remakes within local, regional, national, transnational or transcultural contextsOffers new theoretical concepts and methodological models that take into account both the distinctive and universal aspects of film remaking in a European contextBringing together a range of international scholars, European Film Remakes discusses for the first time the textual, socio-cultural, political, and industrial mechanisms and singularities of the film remake in a European context. Offering a variety of historical, theoretical, and methodological approaches, the book is illustrated by a wide range of case studies from across Europe, including films like A Bigger Splash, Open Your Eyes and Perfect Strangers. Although commonly understood as a typical Hollywood practice, this book demonstrates how film remakes are, and always have been, a significant part of the European film culture and industry. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General. _2bisacsh |
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| 700 | 1 |
_aAraüna Baró, Núria _eautore |
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| 700 | 1 |
_aCuelenaere, Eduard _eautore |
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| 700 | 1 |
_aForrest, Jennifer _eautore |
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| 700 | 1 |
_aJoye, Stijn _eautore |
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| 700 | 1 |
_aLeitch, Thomas _eautore |
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| 700 | 1 |
_aMartin, Marie _eautore |
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| 700 | 1 |
_aMathilde Frank, Stefanie _eautore |
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| 700 | 1 |
_aMeir, Christopher _eautore |
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| 700 | 1 |
_aMunro, Robert _eautore |
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| 700 | 1 |
_aNoordenbos, Boris _eautore |
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| 700 | 1 |
_aSanyal, Kamalika _eautore |
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| 700 | 1 |
_aSlugan, Mario _eautore |
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| 700 | 1 |
_aSmith, Iain Robert _eautore |
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| 700 | 1 |
_aSouch, Irina _eautore |
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| 700 | 1 |
_aStewart, Michael _eautore |
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| 700 | 1 |
_aVan Heuckelom, Kris _eautore |
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| 700 | 1 |
_aVarga, Balázs _eautore |
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| 700 | 1 |
_aVerevis, Constantine _eautore |
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| 700 | 1 |
_aVerstraten, Peter _eautore |
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| 700 | 1 |
_aWillems, Gertjan _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474460668 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474460668 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474460668/original |
| 942 | _cEB | ||
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_c217341 _d217341 |
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